Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference points”. And music is full of them. I think it is basic to understand where these points are, so as to understand and assimilate the music that we are playing. Those of you who don’t know about flamenco music may not have heard of the bulería. If this be the case, then enter the department of ethnical music and look for this pattern, which is among the most commonly used.