Description
A third variation of the 6/8 pattern and a fourth with all the combinations, which Giovanni calls “Floreo” (‘flourishing’).
Commentary:
And a third variation, using another spot on the accents, goes like this, 1, 2, 3, 4, 5, 6… Then you combine that and you put some accents, you know a taste, good taste, like “Floreos,” in combination. You can play some patterns of that combination, right? But you can add some more so the pattern can be three different ways or five or six, ok? 1, 2, 3, 4, 5, 6…
Song in 7/4 – 8180 – E
Here you have the first of Giovanni’s songs, with Josep M. Kitflus (piano) and Carles Benavent (bass,) in 7/8. In these songs he shows you how to practically apply his concept on Congas in patterns as well as in solos. Commentary: Now, a new song
“Time Code” Soleá (bulerías) – 8182 – E
Here you have the third of Giovanni’s songs with Josep M. Kitflus (piano) and Carles Benavent (bass). In this case, the master Giovanni uses a Flamenco pattern (Bulería) to show you how to apply practically his concept on Congas. Commentary: Now,
Demo (Solo) 6/8 – 8154 – E
Giovanni plays a Demo in 6/8 to demonstrate how you can apply all those exercises, maintaining a line on the cowbell and improvising with the other on Timbales. Commentary: Example, I would like to do a little improvisation, free style, ok? Let’s
