Description
A third variation of the 6/8 pattern and a fourth with all the combinations, which Giovanni calls “Floreo” (‘flourishing’).
Commentary:
And a third variation, using another spot on the accents, goes like this, 1, 2, 3, 4, 5, 6… Then you combine that and you put some accents, you know a taste, good taste, like “Floreos,” in combination. You can play some patterns of that combination, right? But you can add some more so the pattern can be three different ways or five or six, ok? 1, 2, 3, 4, 5, 6…
Demo (Solo) Mozambique B – 8158 – E
The master Giovanni plays a fifth DEMO-SOLO with variations on the Mozambique pattern to demonstrate how you can apply all of these exercises, maintaining one line on the Cha-Cha cowbell with the right hand and improvising with the other on Timbales. Co
Demo (Solo) with cymbal – 8159 – E
The master Giovanni plays a sixth DEMO-SOLO with variations on Mambo or Jazz to demonstrate how you can apply all of these exercises, maintaining one line on the cymbal with the right hand and improvising with the other on Timbales. Commentary: Then whe
Song in 7/4 – 8180 – E
Here you have the first of Giovanni’s songs, with Josep M. Kitflus (piano) and Carles Benavent (bass,) in 7/8. In these songs he shows you how to practically apply his concept on Congas in patterns as well as in solos. Commentary: Now, a new song
