“Conversation” for Two Tambourines by Bobby Lopez

Hello….. Finally I’m done drumming Rosanna by TOTO. I did my best so please enjoy watching and Thank you always…..

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

269. In this case we shall maintain a displacement with hands and others with feet. The method: 1) choose the metronome speed, 2)choose figure of progressions, 3) choose displacement with feet, 4) choose displacement with hands, 5) combine both displacements,

Alejandro Gómez nace en Guadalajara Jalisco el 20 de diciembre de 1980, Su inquietud hacia la música surge a los 6 años, siendo su primer maestro e inspirador su padre José Gómez, Pronto empieza a estudiar en clases particulares con los mejores bateristas

When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Here we are work

Recorded at Iron Oak Studios in Nashville, TN Video shoot and editing: Benjamin Rupe Guitars: Ian Smith and Khris Miller Bass: Alex Stallings Mix: Kaleb Jacks and Alex Stallings

Here you have the fourth exercise based on the “Cáscara D” pattern. This one is based on a cáscara of 4 bars. Exercise for advanced level. It is very interesting to see how Giovanni applies different styles and techniques to maximize musicality.

Second exercise on the “Seis Chorreao” pattern, but this time in 6/8. As Giovanni says, this kind of pattern derives from Jíbara music. This interesting pattern is based on triplets with Hembra, Martillo, Fingers, half palm and ghost beats. You ca

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

Rhythms of South America for Congas, from Puerto Rico, “Plena” pattern. 1st Part – Left and Right Hand play the pattern in the Congas. Pattern in 4/4. 2nd Part – Variations on the same one.   Commentary: Plena, a rhythm from Puerto

This video shows different variations of “Songo” rhythms with Cowbell, Snare, Bass Drum, hihat. 1st line Right hand plays Cáscara “E” in cowbell 2nd line Left hand plays Snare with variations 3rd line Bass Drum plays “Tumbao̶