Here you can see Alex’s talent and skills showing you patterns of Uruguay, “Candombe 2”. 1st Part – Second version. With Cymbal besides the whole Kit. 2nd Part – Variations to develop the exercise.   Commentary: Candombe, pla

Horacio shows how to combine the subdivisions of Sixteenth notes and of Triplets with the right hand in snare and the Clave with the left hand in Wood Block, without stopping the exercise while changing from a combination to another. In this case each subdivis

Two Flams. In fifth notes With the snare and the toms How to work with this pattern. A) Fifth notes with Flams B) Displacement in fifth time with two flams with sixteen notes in 4/4 C) Displacement in fifth time with two flams with triplets in 4/4   Comme

Hal Blaine’s drumming you’ve heard many times….legendary studeio drummer on over 6000 songs! Hal’s skills, humor and stories from his beginning, playing for Disney to the Wrecking Crew to Frank Sinatra, Beach Boys & many more albums

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

Horacio combines the subdivisions of Sixteenth notes and of Triplets with the right hand in snare and the Clave with the left hand in Wood Block the same as in the exercises 11 and 12 but, in this case, changing one and the other in each Quarter note of the ba

This exercise has 16 parts: work with both hands (R-L or L-R), one stroke by each, and the HiHat always on quarter notes. Line 1 – Septuplets Line 2 – Quarter notes Line 3 – Septuplets Line 4 – Quarter note triplets Line 5 – Septu

In this second Son Montuno exercise, the “Martillo”, Giovanni combines two bars to complete this pattern. Notice the type of accentuation.   Commentary: We call this the “Martillo” so, when you come from another approach to that fe

In this video Ignacio Berroa shows how to work in group with patterns of “Swing” and the patterns of Rumba in the same one. What he denominates Rumba-jazz. In this case, with two great Spanish musicians: Max Suñer and Carlos Benavent. 1st line Rig

The master Giovanni introduces you to other variations of the 6/8 patterns for “Shekere,” played in the”Yoruba” ceremonies (Lukumi) with three Shekeres. Here you have the first one.   Commentary: Then, another variation on the Shek

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