Mozambique Combinations and “Compás Cubano” -A – 4064 – E
Orchestrations for Drum Kit with Mozambique pattern on “Compás Cubano” (A) 1st Part – Right and Left Hand play Snare with Rudiments Hihat plays Son Clave in 3/2 Bass Drum plays “Tumbao” 2nd Part – Variations on the same one
Mozambique Combinations and “Compás Cubano” -B – 4065 – E
Orchestrations for Drum Kit with Mozambique pattern on “Compás Cubano” (B). 1st Part – Right hand plays Cáscara in Cowbell Left hand plays Snare, Toms and Hihat. Hihat plays Quarter Notes Bass Drum plays “Tumbao” 2nd Part –
Mozambique Combinations and “Compás Cubano” -C – 4066 – E
Orchestrations for Drum Kit with Mozambique pattern on “Compás Cubano” (C). 1st Part – Right hand plays in Floor Tom Left hand plays Snare (Crosstick) Hihat plays Son Clave in 3/2 Bass Drum plays “Tumbao” 2nd Part – Variati
Combinations of 3 on Hihat and 4 on Bass Drum – 4062 – E
Independence Rhythmic Exercises. Polyrhythm 1. 1st Part – HiHat plays in concept of 3 Bass Drum plays in concept of 4 Right and Left Hand play the different concepts in Cymbal, Caja and Toms 2nd Part – Variations on the same one. Commentary:
Introduction of 7 notes groups in 5/4 bar – 4063 – E
Independence Rhythmic Exercises. Polyrhythm 2. 1st Part: Alex plays a pattern of 5/4. Maintaining this concept introduces rhythmic groups of 7 in Cymbal, Caja and Tom 2nd Part – Variations on the same one. Commentary: This is a polyrhythmic exerci
Vallenato – 4054 – E
Rhythms of South America for Congas, from Colombia, “Vallenato” pattern. 1st Part – Left and Right Hand play the pattern in the Congas. Pattern in 4/4. 2nd Part – Variations. Commentary: Vallenato, from Colombia, on the conga bea
Merecumbé – 4055 – E
Rhythms of South America for Congas, from Colombia, “Merecumbé” pattern. 1st Part – Left and Right Hand play the pattern in the Congas. Pattern in 4/4. 2nd Part – Variations on the same one. Commentary: Merecumbé, from Colombia
Bomba – 4056 – E
Rhythms of South America for Congas, from Puerto Rico, “Bomba” pattern. 1st Part – Left and Right Hand play the pattern in the Congas. Pattern in 4/4. 2nd Part – Variations on the same one. Commentary: Bomba, a rhythm from Puerto
Plena – 4057 – E
Rhythms of South America for Congas, from Puerto Rico, “Plena” pattern. 1st Part – Left and Right Hand play the pattern in the Congas. Pattern in 4/4. 2nd Part – Variations on the same one. Commentary: Plena, a rhythm from Puerto
Festejo – 4058 – E
Rhythms of South America for Congas, from Peru, “Festejo” pattern. 1st Part – Left and Right Hand play the pattern in the Congas. Pattern in 4/4. 2nd Part – Variations on the same one Commentary: Festejo, with a conga beat rhythm
Eight, Quarter and 16th Notes with Cáscara – 4059 – E
Independence Combinations for Pailas (Rumberas). 1st Part – Right hand plays “Cáscara” in Cowbell. Left hand plays Quarter Notes, Eight Notes and Sixteenth notes. Left foot plays Quarter Notes in Cowbell. Commentary: This are exercise
Cáscara in 4/4 and polirhythms in 3 – 4060 – E
Independence Combinations for Pailas (Rumberas). 1st Part – Right hand plays “Cáscara” 4/4 in Cowbell. Left hand plays Polyrhythms in 3 Left foot plays Quarter Notes in Cowbell. Commentary: This is an exercises keeping the left hand o
