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Orchestrations for Drum Kit with Mozambique pattern on “Compás Cubano” (A) 1st Part – Right and Left Hand play Snare with Rudiments Hihat plays Son Clave in 3/2 Bass Drum plays “Tumbao” 2nd Part – Variations on the same one
Orchestrations for Drum Kit with Mozambique pattern on “Compás Cubano” (B). 1st Part – Right hand plays Cáscara in Cowbell Left hand plays Snare, Toms and Hihat. Hihat plays Quarter Notes Bass Drum plays “Tumbao” 2nd Part –
Orchestrations for Drum Kit with Mozambique pattern on “Compás Cubano” (C). 1st Part – Right hand plays in Floor Tom Left hand plays Snare (Crosstick) Hihat plays Son Clave in 3/2 Bass Drum plays “Tumbao” 2nd Part – Variati
Independence Rhythmic Exercises. Polyrhythm 1. 1st Part – HiHat plays in concept of 3 Bass Drum plays in concept of 4 Right and Left Hand play the different concepts in Cymbal, Caja and Toms 2nd Part – Variations on the same one. Commentary:
Independence Rhythmic Exercises. Polyrhythm 2. 1st Part: Alex plays a pattern of 5/4. Maintaining this concept introduces rhythmic groups of 7 in Cymbal, Caja and Tom 2nd Part – Variations on the same one. Commentary: This is a polyrhythmic exerci
Rhythms of South America for Congas, from Colombia, “Vallenato” pattern. 1st Part – Left and Right Hand play the pattern in the Congas. Pattern in 4/4. 2nd Part – Variations. Commentary: Vallenato, from Colombia, on the conga bea
Rhythms of South America for Congas, from Colombia, “Merecumbé” pattern. 1st Part – Left and Right Hand play the pattern in the Congas. Pattern in 4/4. 2nd Part – Variations on the same one. Commentary: Merecumbé, from Colombia
Rhythms of South America for Congas, from Puerto Rico, “Bomba” pattern. 1st Part – Left and Right Hand play the pattern in the Congas. Pattern in 4/4. 2nd Part – Variations on the same one. Commentary: Bomba, a rhythm from Puerto
Rhythms of South America for Congas, from Puerto Rico, “Plena” pattern. 1st Part – Left and Right Hand play the pattern in the Congas. Pattern in 4/4. 2nd Part – Variations on the same one. Commentary: Plena, a rhythm from Puerto
Rhythms of South America for Congas, from Peru, “Festejo” pattern. 1st Part – Left and Right Hand play the pattern in the Congas. Pattern in 4/4. 2nd Part – Variations on the same one Commentary: Festejo, with a conga beat rhythm
Independence Combinations for Pailas (Rumberas). 1st Part – Right hand plays “Cáscara” in Cowbell. Left hand plays Quarter Notes, Eight Notes and Sixteenth notes. Left foot plays Quarter Notes in Cowbell. Commentary: This are exercise
Independence Combinations for Pailas (Rumberas). 1st Part – Right hand plays “Cáscara” 4/4 in Cowbell. Left hand plays Polyrhythms in 3 Left foot plays Quarter Notes in Cowbell. Commentary: This is an exercises keeping the left hand o
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