Intermediate

All Videos : 17  Video Posted

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32
Demo with all the flam examples – 2021 – E

virtualdrummerschool

12 November, 2017

707

Summary of all the flam exercises. Bill’s demo From lesson 13 to lesson 20, with some Bill’s comments.   Commentary: Here is a minute example of a million flams, I hope. One, two, three, four….  

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28
Bass drum, snare drum, cymbal, hi-hat “A” – 2023 – E

virtualdrummerschool

12 November, 2017

668

Exercises for hi hat, snare and bass drum Working with combinations of the three elements How to work with this examples. A) Displacements into fourth notes   Commentary: Exercise number one has the hi-hat and the snare and the bass drum, one, two, three,

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28
Bass drum, snare drum, cymbal, hi-hat “B” – 2024 – E

virtualdrummerschool

12 November, 2017

562

Exercises for hi hat, snare and bass drum Working with combinations of the three elements How to work with this examples B) First bar, with the hi hat on the first Eight notes of the triplet Second bar, with the hi hat on the second Eight notes Third bar with

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30
Bass drum, snare drum, cymbal, hi-hat “C” – 2025 – E

virtualdrummerschool

12 November, 2017

559

Exercises for hi hat, snare and bass drum Working with combinations of the three elements How to work with this examples C) Combinations with Eight notes   Commentary: So many of this exercises of course can be played in duple meeter rather than triple me

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29
Bass drum, snare drum, cymbal and hi-hat “A, B, C, D” – 2028 – E

virtualdrummerschool

12 November, 2017

1915

Independence exercises with the snare, bass drum and cymbal Bill’s explanations Combinations in swing With snare, cymbal, bass drum and hi hat Exercises A,B,C and D   Commentary: Here is a eighth notes exercises that sounds good at medium swing. One

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25
Displacements demonstration for hi-hat – 2031 – E

virtualdrummerschool

12 November, 2017

600

Exercises with the hi hat. Bill’s examples all around the drum kit.   Commentary:  

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26
Exercise with sixteen notes for open hi-hat – 2032 – E

virtualdrummerschool

12 November, 2017

652

Playing with the hi hat opened Bill’s explanations Right hand plays the hi hat in one, three and four sixteen notes Left hand plays the snare in two and four quarter notes Bass drum in one and three Opened hi hat on the second sixteen notes   Commen

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30
Displacement of 4, 5, and 6 in triplets, – 2005 – E

virtualdrummerschool

12 November, 2017

586

Exercises for left and right hand Eight notes triplets with displacements: For Snare and Toms A) Four notes in a row RRRR LLLL B) Five notes in a row RRRRR LLLLL C) Six notes in a row RRRRRR RRRRRR   Commentary: Here are some of the warm exercises that I

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25
Single and double paraddidles “A, B, C” – 2006 – E

virtualdrummerschool

12 November, 2017

1372

Exercises for left and right hand Rudiments : Simples, Doubles and Paraddidles. With sixteen notes, Sixtets and thirty second notes. A) With 4, 6 and 8 strokes RLRL B) With 4, 6 and 8 strokes RR LL C) With 4, 6 and 8 strokes RLRR LRLL   Commentary: Second

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25
Bass drum, snare drum, plays sixteen notes “A, B, C, D” – 2007 – E

virtualdrummerschool

12 November, 2017

1311

Independence exercises Cymbal, snare, bass drum and hi hat, always with quarter notes How to work with this exercises A) Eight notes with the cymbal With the snare: First and second sixteen notes With the bass drum: Third and fourth sixteen notes B) Eight note

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21
In 5/8 and in 5/4 Swing “A, B” – 2008 – E

virtualdrummerschool

12 November, 2017

531

Independence exercises Snare, cymbal, bass drum and hi hat, always with quarters Amalgam beats in 5/8 and 5/4 How to work with this exercises A) Eight notes with the cymbal Two sixteen notes with the snare and with displacements Three sixteen notes with the ba

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33
Accents in sixteen and Eight notes “A, B” – 2009 – E

virtualdrummerschool

12 November, 2017

1256

Accents. Examples with the snare How to work with this exercises A) Two sixteen notes and one Eight notes RLR LRL With the accent on the first note B) Two sixteen notes and one Eight notes RLR LRL With the accent on the last note.   Commentary: Rhythm and

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