Beginner

All Videos : 32  Video Posted

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14
Hihat on the 1st and 3rd Quarter Note – 5038 – E

virtualdrummerschool

12 November, 2017

397

These exercises will help you to control the hihat and will give you the necessary independence to be able to introduce this third element in your DrumKit. While your right hand plays the Eighth Notes and your left hand plays the Clave, we work the Hihat with

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15
Hihat on the 2nd and 4th Quarter Note – 5039 – E

virtualdrummerschool

12 November, 2017

470

These exercises will help you to control the hihat and will give you the necessary independence to be able to introduce this third element in your DrumKit. While your right hand plays the Eighth Notes and your left hand plays the Clave, we work the Hihat with

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15
Hihat on the 1st, 2nd, 3rd and 4th Quarter Note – 5040 – E

virtualdrummerschool

12 November, 2017

389

These exercises will help you to control the hihat and will give you the necessary independence to be able to introduce this third element in your DrumKit. While your right hand plays the Eighth Notes and your left hand plays the Clave, we work the Hihat with

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11
Hihat plays all the Eighth Notes – 5042 – E

virtualdrummerschool

12 November, 2017

411

These exercises will help you to control the hihat and will give you the necessary independence to be able to introduce this third element in your DrumKit. While your right hand plays the Eighth Notes and your left hand plays the Clave, we work the Hihat all q

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13
Demo of the different Hihat – 5043 – E

virtualdrummerschool

12 November, 2017

366

Horacio carries out a “DEMO” with all the combinations for Hihat of the previous exercises. While your right hand plays the Eighth Notes and your left hand plays the Clave. These exercises will help you to control the hihat and the necessary indepe

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15
Right and left Hand play Hihat (A) – 5044 – E

virtualdrummerschool

12 November, 2017

395

First, Horacio shows you what is the Cáscara and how to play it with the right hand and the Left hand in the Hihat, and he explains that these are the first steps to introduce the 4th element (BassDrum). Here you have the 1st combination.   Commentary: T

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11
11th and 12th sixteenth note of the bar – 5021 – E

virtualdrummerschool

12 November, 2017

424

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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12
13th and 14th sixteenth note of the bar – 5022 – E

virtualdrummerschool

12 November, 2017

515

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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17
7th and 8th sixteenth note of the bar – 5019 – E

virtualdrummerschool

12 November, 2017

477

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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13
9th and 10th sixteenth note of the bar – 5020 – E

virtualdrummerschool

12 November, 2017

462

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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16
Comments about Binary – Triplet subdivision (free) – 5002 – E

virtualdrummerschool

12 November, 2017

358

In this exercise Horacio shows you how to combine the binary and ternary figures and how to sing on them. In the first exercise sing on sixteenth notes, in the second on eighth triplet notes. This kind of lessons are essential to understand all the following e

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15
Bembé Clave on 6/8 and 12/8 – 5003 – E

virtualdrummerschool

12 November, 2017

766

Here you will find a small introduction of how the Bembé Clave is applied in 6/8 and which is its origin.   Commentary: Once we have very clear these subdivisions, then we will get into the study of the “Clave” itself. The Clave, as we said b

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