SALVADOR NIEBLA

All Videos : 221  Video Posted

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61
19/4 Amalgam – 1712 – E

virtualdrummerschool

12 November, 2017

810

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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59
9/4 Amalgam – 1714 – E

virtualdrummerschool

12 November, 2017

785

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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63
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

710

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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47
4/4 Polyrhythm – 1736 – E

virtualdrummerschool

12 November, 2017

729

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

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30
17/8 Amalgam – 1711 – E

virtualdrummerschool

12 November, 2017

595

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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30
Bembé Polyrhythm – 1701 – E

virtualdrummerschool

12 November, 2017

963

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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21
18/4 Amalgam – 1702 – E

virtualdrummerschool

12 November, 2017

644

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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26
14/4 Amalgam – 1703 – E

virtualdrummerschool

12 November, 2017

717

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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24
17/8 Amalgam – 1704 – E

virtualdrummerschool

12 November, 2017

592

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

Watch Video
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24
Amalgam – 1706 – E

virtualdrummerschool

12 November, 2017

687

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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25
11/4 Amalgam – 1707 – E

virtualdrummerschool

12 November, 2017

629

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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24
12/4 Amalgam (buleria) – 1708 – E

virtualdrummerschool

12 November, 2017

651

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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