SALVADOR NIEBLA

All Videos : 221  Video Posted

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67
19/4 Amalgam – 1712 – E

virtualdrummerschool

12 November, 2017

859

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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66
9/4 Amalgam – 1714 – E

virtualdrummerschool

12 November, 2017

845

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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70
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

766

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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50
4/4 Polyrhythm – 1736 – E

virtualdrummerschool

12 November, 2017

785

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

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34
Bembé Polyrhythm – 1701 – E

virtualdrummerschool

12 November, 2017

1053

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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23
18/4 Amalgam – 1702 – E

virtualdrummerschool

12 November, 2017

677

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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32
14/4 Amalgam – 1703 – E

virtualdrummerschool

12 November, 2017

782

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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23
17/8 Amalgam – 1704 – E

virtualdrummerschool

12 November, 2017

640

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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25
Amalgam – 1706 – E

virtualdrummerschool

12 November, 2017

739

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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26
11/4 Amalgam – 1707 – E

virtualdrummerschool

12 November, 2017

674

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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27
12/4 Amalgam (buleria) – 1708 – E

virtualdrummerschool

12 November, 2017

686

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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24
13/4 Amalgam – 1709 – E

virtualdrummerschool

12 November, 2017

741

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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