SALVADOR NIEBLA

All Videos : 221  Video Posted

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106
19/4 Amalgam – 1712 – E

virtualdrummerschool

12 November, 2017

1034

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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105
9/4 Amalgam – 1714 – E

virtualdrummerschool

12 November, 2017

1036

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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110
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

971

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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76
4/4 Polyrhythm – 1736 – E

virtualdrummerschool

12 November, 2017

985

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

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45
17/8 Amalgam – 1711 – E

virtualdrummerschool

12 November, 2017

724

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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56
Bembé Polyrhythm – 1701 – E

virtualdrummerschool

12 November, 2017

1418

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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32
18/4 Amalgam – 1702 – E

virtualdrummerschool

12 November, 2017

770

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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67
14/4 Amalgam – 1703 – E

virtualdrummerschool

12 November, 2017

1225

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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36
17/8 Amalgam – 1704 – E

virtualdrummerschool

12 November, 2017

762

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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42
Amalgam – 1706 – E

virtualdrummerschool

12 November, 2017

1036

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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40
11/4 Amalgam – 1707 – E

virtualdrummerschool

12 November, 2017

771

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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42
12/4 Amalgam (buleria) – 1708 – E

virtualdrummerschool

12 November, 2017

795

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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