SALVADOR NIEBLA

All Videos : 221  Video Posted

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44
19/4 Amalgam – 1712 – E

virtualdrummerschool

12 November, 2017

550

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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41
9/4 Amalgam – 1714 – E

virtualdrummerschool

12 November, 2017

530

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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45
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

488

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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36
4/4 Polyrhythm – 1736 – E

virtualdrummerschool

12 November, 2017

488

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

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18
17/8 Amalgam – 1711 – E

virtualdrummerschool

12 November, 2017

389

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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16
Bembé Polyrhythm – 1701 – E

virtualdrummerschool

12 November, 2017

489

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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15
18/4 Amalgam – 1702 – E

virtualdrummerschool

12 November, 2017

426

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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18
14/4 Amalgam – 1703 – E

virtualdrummerschool

12 November, 2017

371

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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18
17/8 Amalgam – 1704 – E

virtualdrummerschool

12 November, 2017

379

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

Watch Video
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18
Amalgam – 1706 – E

virtualdrummerschool

12 November, 2017

436

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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20
11/4 Amalgam – 1707 – E

virtualdrummerschool

12 November, 2017

382

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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21
12/4 Amalgam (buleria) – 1708 – E

virtualdrummerschool

12 November, 2017

366

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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