SALVADOR NIEBLA

All Videos : 221  Video Posted

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49
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

582

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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40
4/4 Polyrhythm – 1736 – E

virtualdrummerschool

12 November, 2017

587

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

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52
19/4 Amalgam – 1712 – E

virtualdrummerschool

12 November, 2017

665

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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48
9/4 Amalgam – 1714 – E

virtualdrummerschool

12 November, 2017

644

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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17
18/4 Amalgam – 1702 – E

virtualdrummerschool

12 November, 2017

523

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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19
14/4 Amalgam – 1703 – E

virtualdrummerschool

12 November, 2017

586

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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19
17/8 Amalgam – 1704 – E

virtualdrummerschool

12 November, 2017

492

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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19
Amalgam – 1706 – E

virtualdrummerschool

12 November, 2017

572

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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22
11/4 Amalgam – 1707 – E

virtualdrummerschool

12 November, 2017

514

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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22
12/4 Amalgam (buleria) – 1708 – E

virtualdrummerschool

12 November, 2017

563

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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22
13/4 Amalgam – 1709 – E

virtualdrummerschool

12 November, 2017

610

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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24
15/4 Amalgam – 1710 – E

virtualdrummerschool

12 November, 2017

461

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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