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All Videos : 93  Video Posted

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75
4/4 Polyrhythm – 1736 – E

virtualdrummerschool

12 November, 2017

1011

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

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105
19/4 Amalgam – 1712 – E

virtualdrummerschool

12 November, 2017

1061

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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105
9/4 Amalgam – 1714 – E

virtualdrummerschool

12 November, 2017

1056

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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111
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

998

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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70
14/4 Amalgam – 1703 – E

virtualdrummerschool

12 November, 2017

1284

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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37
17/8 Amalgam – 1704 – E

virtualdrummerschool

12 November, 2017

779

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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42
Amalgam – 1706 – E

virtualdrummerschool

12 November, 2017

1117

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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39
11/4 Amalgam – 1707 – E

virtualdrummerschool

12 November, 2017

795

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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44
12/4 Amalgam (buleria) – 1708 – E

virtualdrummerschool

12 November, 2017

814

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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37
13/4 Amalgam – 1709 – E

virtualdrummerschool

12 November, 2017

865

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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48
15/4 Amalgam – 1710 – E

virtualdrummerschool

12 November, 2017

684

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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46
17/8 Amalgam – 1711 – E

virtualdrummerschool

12 November, 2017

748

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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