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All Videos : 93  Video Posted

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102
19/4 Amalgam – 1712 – E

virtualdrummerschool

12 November, 2017

1011

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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101
9/4 Amalgam – 1714 – E

virtualdrummerschool

12 November, 2017

1007

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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107
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

948

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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73
4/4 Polyrhythm – 1736 – E

virtualdrummerschool

12 November, 2017

924

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

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42
17/8 Amalgam – 1711 – E

virtualdrummerschool

12 November, 2017

709

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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51
Bembé Polyrhythm – 1701 – E

virtualdrummerschool

12 November, 2017

1346

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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29
18/4 Amalgam – 1702 – E

virtualdrummerschool

12 November, 2017

748

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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65
14/4 Amalgam – 1703 – E

virtualdrummerschool

12 November, 2017

1184

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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31
17/8 Amalgam – 1704 – E

virtualdrummerschool

12 November, 2017

745

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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38
Amalgam – 1706 – E

virtualdrummerschool

12 November, 2017

961

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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33
11/4 Amalgam – 1707 – E

virtualdrummerschool

12 November, 2017

747

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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39
12/4 Amalgam (buleria) – 1708 – E

virtualdrummerschool

12 November, 2017

775

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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