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All Videos : 93  Video Posted

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45
19/4 Amalgam – 1712 – E

virtualdrummerschool

12 November, 2017

499

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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42
9/4 Amalgam – 1714 – E

virtualdrummerschool

12 November, 2017

486

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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46
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

447

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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37
4/4 Polyrhythm – 1736 – E

virtualdrummerschool

12 November, 2017

444

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

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21
12/4 Amalgam (buleria) – 1708 – E

virtualdrummerschool

12 November, 2017

337

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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14
13/4 Amalgam – 1709 – E

virtualdrummerschool

12 November, 2017

359

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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20
15/4 Amalgam – 1710 – E

virtualdrummerschool

12 November, 2017

306

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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19
17/8 Amalgam – 1711 – E

virtualdrummerschool

12 November, 2017

344

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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17
Bembé Polyrhythm – 1701 – E

virtualdrummerschool

12 November, 2017

415

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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16
18/4 Amalgam – 1702 – E

virtualdrummerschool

12 November, 2017

382

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

Watch Video
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19
14/4 Amalgam – 1703 – E

virtualdrummerschool

12 November, 2017

326

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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17
17/8 Amalgam – 1704 – E

virtualdrummerschool

12 November, 2017

333

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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