Hip Hop – 1318 – E
258. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern
Transmetal – 1319 – E
259. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. This is not
Amalgam Applications for drum kit 5/8 (C) – 1258 – E
274. Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference
Heavy-Speed- – 1303 – E
243. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Within any
Ganstad – 1311 – E
251. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. This style
Soul – Funk – 1313 – E
253. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Comm
Pop-Shuffle – 1315 – E
255. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern
Acid-Jazz – 1316 – E
256. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern
House – 1317 – E
257. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern
Double Displacement Sixteenth notes – 1253 – E
269. In this case we shall maintain a displacement with hands and others with feet. The method: 1) choose the metronome speed, 2)choose figure of progressions, 3) choose displacement with feet, 4) choose displacement with hands, 5) combine both displacements,
Amalgam Applications for drum kit 5/8 – 1256 – E
272. Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference
