Intermediate

All Videos : 89  Video Posted

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15
Amalgam Applications for drum kit 5/8 (C) – 1258 – E

virtualdrummerschool

12 November, 2017

244

274. Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference

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12
Heavy-Speed- – 1303 – E

virtualdrummerschool

12 November, 2017

291

243. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Within any

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16
Slow-Pop – 1304 – E

virtualdrummerschool

12 November, 2017

282

–   Commentary: –  

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13
Ganstad – 1311 – E

virtualdrummerschool

12 November, 2017

267

251. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. This style

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14
Soul – Funk – 1313 – E

virtualdrummerschool

12 November, 2017

316

253. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis.   Comm

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17
Pop-Shuffle – 1315 – E

virtualdrummerschool

12 November, 2017

257

255. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern

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16
Acid-Jazz – 1316 – E

virtualdrummerschool

12 November, 2017

267

256. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern

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15
House – 1317 – E

virtualdrummerschool

12 November, 2017

267

257. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern

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13
Hip Hop – 1318 – E

virtualdrummerschool

12 November, 2017

269

258. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern

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16
Transmetal – 1319 – E

virtualdrummerschool

12 November, 2017

252

259. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. This is not

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9
Amalgam Applications for drum kit 5/8 (B) – 1257 – E

virtualdrummerschool

12 November, 2017

246

273. Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference

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14
Of 5 in Eighth Triplet Notes – 1224 – E

virtualdrummerschool

12 November, 2017

252

215. Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called dis

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