Intermediate

All Videos : 89  Video Posted

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40
Pop-Shuffle – 1315 – E

virtualdrummerschool

12 November, 2017

681

255. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern

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33
Acid-Jazz – 1316 – E

virtualdrummerschool

12 November, 2017

664

256. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern

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40
House – 1317 – E

virtualdrummerschool

12 November, 2017

710

257. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern

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30
Hip Hop – 1318 – E

virtualdrummerschool

12 November, 2017

630

258. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern

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42
Transmetal – 1319 – E

virtualdrummerschool

12 November, 2017

603

259. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. This is not

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41
Amalgam Applications for drum kit 5/8 (C) – 1258 – E

virtualdrummerschool

12 November, 2017

606

274. Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference

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34
Heavy-Speed- – 1303 – E

virtualdrummerschool

12 November, 2017

749

243. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Within any

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36
Slow-Pop – 1304 – E

virtualdrummerschool

12 November, 2017

643

–   Commentary: –  

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31
Ganstad – 1311 – E

virtualdrummerschool

12 November, 2017

603

251. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. This style

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38
Soul – Funk – 1313 – E

virtualdrummerschool

12 November, 2017

762

253. When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis.   Comm

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33
2 strokes 16th notes- – 1242 – E

virtualdrummerschool

12 November, 2017

650

233. As you all know well, this is one of the most commonly used rudiments. There are two ways of doing this exercise: using the Bounce-Roll, with a more closed sound, and without the Bounce-Roll, dominating each one of the beats. I’d suggest using the s

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34
Four bar construction (A) – 1249 – E

virtualdrummerschool

12 November, 2017

624

123. This exercise is conceived for you to work on standard structures within music. A musician must first master the beat, then the measure and, thirdly, the structures. These are usually based on 4, 8, 12 and 16 measures. Use them to practice breaks, solos,&

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