Intermediate

All Videos : 89  Video Posted

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12
1 stroke 16th notes – 1241 – E

virtualdrummerschool

12 November, 2017

310

232. As you all know well, this is one of the most commonly used rudiments. There are two ways of doing this exercise: using the Bounce-Roll, with a more closed sound, and without the Bounce-Roll, dominating each one of the beats. I’d suggest using the s

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14
2 strokes 16th notes- – 1242 – E

virtualdrummerschool

12 November, 2017

327

233. As you all know well, this is one of the most commonly used rudiments. There are two ways of doing this exercise: using the Bounce-Roll, with a more closed sound, and without the Bounce-Roll, dominating each one of the beats. I’d suggest using the s

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14
Four bar construction (A) – 1249 – E

virtualdrummerschool

12 November, 2017

319

123. This exercise is conceived for you to work on standard structures within music. A musician must first master the beat, then the measure and, thirdly, the structures. These are usually based on 4, 8, 12 and 16 measures. Use them to practice breaks, solos,&

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16
Four bar construction (B – 1250 – E

virtualdrummerschool

12 November, 2017

310

124. This exercise is conceived for you to work on standard structures within music. A musician must first master the beat, then the measure and, thirdly, the structures. These are usually based on 4, 8, 12 and 16 measures. Use them to practice breaks, solos,&

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10
Double Displacement Sixteenth notes – 1253 – E

virtualdrummerschool

12 November, 2017

321

269. In this case we shall maintain a displacement with hands and others with feet. The method: 1) choose the metronome speed, 2)choose figure of progressions, 3) choose displacement with feet, 4) choose displacement with hands, 5) combine both displacements,

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13
Amalgam Applications for drum kit 5/8 – 1256 – E

virtualdrummerschool

12 November, 2017

278

272. Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference

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9
Amalgam Applications for drum kit 5/8 (B) – 1257 – E

virtualdrummerschool

12 November, 2017

315

273. Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference

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13
Of 5 in Eighth Triplet Notes – 1224 – E

virtualdrummerschool

12 November, 2017

306

215. Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called dis

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11
3 strokes (L) – 1202 – E

virtualdrummerschool

12 November, 2017

333

193. Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotc

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12
1 stroke (R) – 1209 – E

virtualdrummerschool

12 November, 2017

286

200. Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotc

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11
1 stroke (L) – 1210 – E

virtualdrummerschool

12 November, 2017

299

201. Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotc

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10
2 strokes (R) – 1211 – E

virtualdrummerschool

12 November, 2017

357

202. Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotc

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