Description
Flams. Bill’s explanation. With cymbal, snare and toms C) With triplets and an accent on the first note RLR LRL
Commentary:
The flam triplet is also a very commonly rudiment used in rock and jazz, and sounds like this. One measure of triplets with the flat and without the flat. Flams are usually played wide apart, the slower the tempo. The slower the tempo, the wider the flam. But as the tempo gets faster, the flam becomes what we call a flat flam, and almost the two drums struck at the same time. Almost. So, it’s important to know that you either making a flam as wide as possible or what we call a double stop. Two notes exactly at the same time.
Measure application, “The key” “A” y “B” – 2040 – E
How to play the Triplicity pattern A) The key to develop this pattern. B) The said pattern played all around the drum kit Commentary: Having found that seven bell part which is going to become the key to the tune, I just want to play that with different
Sixteen notes accents in 6/8 with displacements in 7 – 2041 – E
How to play Triplicity pattern with Eight notes and with triplets (swing) C) 7/8 with Eight notes D) The same pattern in 6/8 Commentary: Now I very much like the six eight for triple time rhythm underneath the seven figure. What would happen if I put tw
Polyrhythms with the key for “Triplicity”, “A, B” – 2042 – E
Polyrhythms featured in the song “Triplicity.” Demo of Bill working with the previous exercises and parts “A and B” of the song. Commentary: But let’s go back to the original figure which you remember was four notes and thr
