Description
Your first Mambo pattern with “Martillo”. Giovanni combines a serie of beats: Hembra, martillo, fingers, half palm and ghost to complete this pattern. Notice the type of accentuation and the placement of the Hembra (female) on the fourth beat.
Commentary:
Now, we have the Mambo, like for the Mambo era, and that was a faster movement, a great style, that was a great style, a great era. Like I mentioned before, great, great Bongo players, Jose Manual, Mario Kendo, Candido, Armando Peraza, Jack Costanzo, I mean, a great, great, great era, Ray Romero… That was a good, good, good moment to analyze that kind of style, and that was fast, done like this, 1, 2, 1, 2, 3, 4,…
Demo (Solo) with cymbal – 8159 – E
The master Giovanni plays a sixth DEMO-SOLO with variations on Mambo or Jazz to demonstrate how you can apply all of these exercises, maintaining one line on the cymbal with the right hand and improvising with the other on Timbales. Commentary: Then whe
Demo (Solo) 6/8 – 8154 – E
Giovanni plays a Demo in 6/8 to demonstrate how you can apply all those exercises, maintaining a line on the cowbell and improvising with the other on Timbales. Commentary: Example, I would like to do a little improvisation, free style, ok? Let’s
Demo (Solo) Guaguancó – 8155 – E
The master Giovanni plays a second Demo with the “Guaguancó Cáscara” to demonstrate how you can apply all those exercises, maintaining a line on the cowbell and improvising with the other on Timbales. Commentary: Cáscara in Guaguancó par
