Description
Here you have two variations of the “Plena” pattern with “Timbales”, in which the master Giovanni shows you the different ways of its application.
Commentary:
I am going to play a rhythm, coming from Puerto Rico, where I come from, so that’s the Plena on Timbales. The Plena belongs to the Panderetas (Tambourines,) some people play the Plena on congas too, it’s valid; but some people forget that the Plena, you can play that on Timbales. By the era of César Concepción, Orquesta Panamericana de Lito Peña, Rafael Cortijo, so like this , 1, 2, 1, 2, 3,… Another variation of the Plena, adding a couple of accents, you do like this, 1, 2, 1, 2, 3…
Demo (Solo) Guaguancó – 8155 – E
The master Giovanni plays a second Demo with the “Guaguancó Cáscara” to demonstrate how you can apply all those exercises, maintaining a line on the cowbell and improvising with the other on Timbales. Commentary: Cáscara in Guaguancó par
Demo (Solo) Free – 8156 – E
The master Giovanni plays a third DEMO-SOLO in 6/8 to demonstrate how you can apply all of these exercises, maintaining one line with the left hand on the Cha-Cha cowbell and improvising with the other on the Mambo cowbell and the Timbales. Commentary:
Demo (Solo) Mozambique A – 8157 – E
The master Giovanni plays a fourth DEMO-SOLO with two variations on the Mozambique pattern to demonstrate how you can apply all those exercises maintaining one line with the left hand on the Cha-Cha cowbell and improvising with the other on Timbales. Co
