Description
Here you have two variations of the “Plena” pattern with “Timbales”, in which the master Giovanni shows you the different ways of its application.
Commentary:
I am going to play a rhythm, coming from Puerto Rico, where I come from, so that’s the Plena on Timbales. The Plena belongs to the Panderetas (Tambourines,) some people play the Plena on congas too, it’s valid; but some people forget that the Plena, you can play that on Timbales. By the era of César Concepción, Orquesta Panamericana de Lito Peña, Rafael Cortijo, so like this , 1, 2, 1, 2, 3,… Another variation of the Plena, adding a couple of accents, you do like this, 1, 2, 1, 2, 3…
Demo (Solo) Mozambique B – 8158 – E
The master Giovanni plays a fifth DEMO-SOLO with variations on the Mozambique pattern to demonstrate how you can apply all of these exercises, maintaining one line on the Cha-Cha cowbell with the right hand and improvising with the other on Timbales. Co
Demo (Solo) with cymbal – 8159 – E
The master Giovanni plays a sixth DEMO-SOLO with variations on Mambo or Jazz to demonstrate how you can apply all of these exercises, maintaining one line on the cymbal with the right hand and improvising with the other on Timbales. Commentary: Then whe
Demo (Solo) 6/8 – 8154 – E
Giovanni plays a Demo in 6/8 to demonstrate how you can apply all those exercises, maintaining a line on the cowbell and improvising with the other on Timbales. Commentary: Example, I would like to do a little improvisation, free style, ok? Let’s
