Description
Here you have the third variation of the “Plena” pattern with “Timbales”, in which the master Giovanni shows you the different ways in which it can be applied. The second part is a demo with multiple possibilities.
Commentary:
A third variation that you can put more “clean”, like this, 1, 2, 1, 2, 3,… Ok? So then when you have those patterns, and you know the Plena rhythm, so we jump to the third level, I mean we can improvise and add in a couple of accents and put them in different spots, like this 1, 2, 1, 2, 3…
Demo (Solo) with cymbal – 8159 – E
The master Giovanni plays a sixth DEMO-SOLO with variations on Mambo or Jazz to demonstrate how you can apply all of these exercises, maintaining one line on the cymbal with the right hand and improvising with the other on Timbales. Commentary: Then whe
Song in 7/4 – 8180 – E
Here you have the first of Giovanni’s songs, with Josep M. Kitflus (piano) and Carles Benavent (bass,) in 7/8. In these songs he shows you how to practically apply his concept on Congas in patterns as well as in solos. Commentary: Now, a new song
“Time Code” Soleá (bulerías) – 8182 – E
Here you have the third of Giovanni’s songs with Josep M. Kitflus (piano) and Carles Benavent (bass). In this case, the master Giovanni uses a Flamenco pattern (Bulería) to show you how to apply practically his concept on Congas. Commentary: Now,
