Description
Exercises for left and right hand Up-Tap-Down-Full with an accent How to work with this exercises. A) Three eight notes for each hand RRR LLL B) Three eight notes for each hand RLL LRR
Commentary:
There are four main strokes which are the fundamental in my drumming. I’ll demonstrate each slowly. From the up position, downstroke, tap, upstroke and fullstroke. Down, tap, up, full. The up, down and the full make the accent, and the down, the unnaccent note. Here is some examples for you to use. Example number one. Example number two. And with the left.
Measure application, “The key” “A” y “B” – 2040 – E
How to play the Triplicity pattern A) The key to develop this pattern. B) The said pattern played all around the drum kit Commentary: Having found that seven bell part which is going to become the key to the tune, I just want to play that with different
Sixteen notes accents in 6/8 with displacements in 7 – 2041 – E
How to play Triplicity pattern with Eight notes and with triplets (swing) C) 7/8 with Eight notes D) The same pattern in 6/8 Commentary: Now I very much like the six eight for triple time rhythm underneath the seven figure. What would happen if I put tw
Polyrhythms with the key for “Triplicity”, “A, B” – 2042 – E
Polyrhythms featured in the song “Triplicity.” Demo of Bill working with the previous exercises and parts “A and B” of the song. Commentary: But let’s go back to the original figure which you remember was four notes and thr
