Description
When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. I am not a specialist in these styles, but whenever I could, I have listened to music from Brazil, and, as everyone knows, the Samba is one of the most important festive rhythms in that country. Listen to the schools of Samba from Rio or Sao Paolo, they’ll blow your mind!
Commentary:
19/4 Amalgam – 1712 – E
Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point
9/4 Amalgam – 1714 – E
Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point
Play Back (Rod Morgenstein) Displacement – 1716 – E
Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum. Commentary:
