Description
Displacements with sixth notes. Bill’s explanations Exercises for right and left hand. Only with accents B) Sixth notes with accents Fills of 32 notes into a 7/4 with snare and toms.
Commentary:
Perhaps the next thing it would come to mind is use diddles. That is two thirty second notes instead of sixteenth notes. It’s going to sound like this. Again, focus on the snare drum and hear the embroidery and the complexity that it’s coming within the main two. The main melody is still out here, but the embroidery is becoming more complex.
Measure application, “The key” “A” y “B” – 2040 – E
How to play the Triplicity pattern A) The key to develop this pattern. B) The said pattern played all around the drum kit Commentary: Having found that seven bell part which is going to become the key to the tune, I just want to play that with different
Sixteen notes accents in 6/8 with displacements in 7 – 2041 – E
How to play Triplicity pattern with Eight notes and with triplets (swing) C) 7/8 with Eight notes D) The same pattern in 6/8 Commentary: Now I very much like the six eight for triple time rhythm underneath the seven figure. What would happen if I put tw
Polyrhythms with the key for “Triplicity”, “A, B” – 2042 – E
Polyrhythms featured in the song “Triplicity.” Demo of Bill working with the previous exercises and parts “A and B” of the song. Commentary: But let’s go back to the original figure which you remember was four notes and thr
