Tag: Afro-Cuban

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13
Demo of the different Hihat – 5043 – E

virtualdrummerschool

12 November, 2017

335

Horacio carries out a “DEMO” with all the combinations for Hihat of the previous exercises. While your right hand plays the Eighth Notes and your left hand plays the Clave. These exercises will help you to control the hihat and the necessary indepe

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15
Right and left Hand play Hihat (A) – 5044 – E

virtualdrummerschool

12 November, 2017

360

First, Horacio shows you what is the Cáscara and how to play it with the right hand and the Left hand in the Hihat, and he explains that these are the first steps to introduce the 4th element (BassDrum). Here you have the 1st combination.   Commentary: T

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14
Right and left Hand play Hihat (B) – 5045 – E

virtualdrummerschool

12 November, 2017

355

First, Horacio shows you what is the Cáscara and how to play it with the right hand and the Left hand in the Hihat, and he explains that these are the first steps to introduce the 4th element (BassDrum). Here you have the 2nd combination.   Commentary: T

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11
13th and 14th sixteenth note of the bar – 5022 – E

virtualdrummerschool

12 November, 2017

460

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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18
7th and 8th sixteenth note of the bar – 5019 – E

virtualdrummerschool

12 November, 2017

434

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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12
9th and 10th sixteenth note of the bar – 5020 – E

virtualdrummerschool

12 November, 2017

435

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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12
11th and 12th sixteenth note of the bar – 5021 – E

virtualdrummerschool

12 November, 2017

395

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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15
Bembé Clave on 6/8 and 12/8 – 5003 – E

virtualdrummerschool

12 November, 2017

665

Here you will find a small introduction of how the Bembé Clave is applied in 6/8 and which is its origin.   Commentary: Once we have very clear these subdivisions, then we will get into the study of the “Clave” itself. The Clave, as we said b

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18
Son Clave 3:2 – 5004 – E

virtualdrummerschool

12 November, 2017

340

This is one of the first steps to understand the evolution of the Bembé Clave to the Son Clave. Horacio works with a very low metronome speed (quarter note at 60) so that its understanding is easier   Commentary: Then, we have the Son Clave that is born

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18
Son Clave 2:3 – 5005 – E

virtualdrummerschool

12 November, 2017

404

Horacio explains how to understand and play the Clave in 2:3, with a very slow exercise so you can see the situation inside the bar.   Commentary: This Clave in particular, has also the peculiarity that it can start on the third beat, so it is what is cal

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