Tag: Afro-Cuban

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14
1st and 2nd sixteenth note of the bar – 5016 – E

virtualdrummerschool

12 November, 2017

343

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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13
3rd and 4th sixteenth note of the bar – 5017 – E

virtualdrummerschool

12 November, 2017

381

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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18
5th and 6th sixteenth note of the bar – 5018 – E

virtualdrummerschool

12 November, 2017

424

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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15
Bembé Clave on 6/8 and 12/8 – 5003 – E

virtualdrummerschool

12 November, 2017

668

Here you will find a small introduction of how the Bembé Clave is applied in 6/8 and which is its origin.   Commentary: Once we have very clear these subdivisions, then we will get into the study of the “Clave” itself. The Clave, as we said b

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18
Son Clave 3:2 – 5004 – E

virtualdrummerschool

12 November, 2017

340

This is one of the first steps to understand the evolution of the Bembé Clave to the Son Clave. Horacio works with a very low metronome speed (quarter note at 60) so that its understanding is easier   Commentary: Then, we have the Son Clave that is born

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20
Repiqueteo – 3019 – E

virtualdrummerschool

12 November, 2017

381

This video shows how to work with the pattern of “Repiqueteo” with Snare, Bass Drum, hihat and toms. 1st line Left hand and Right play Sixteenth notes in Snare with some variation in Toms 2nd line Bass Drum plays “Tumbao” Hihat in the 1

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15
Danzon – 3020 – E

virtualdrummerschool

12 November, 2017

557

This video shows how to work with one of the first rhythms created in Cuba: the “Danzón”, which is also denominated as the Afro-Cuban music first steps. 1st line Left hand hits in head and Right hand in Crosstick with open strokes and muted  

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16
Guagancó – 3021 – E

virtualdrummerschool

12 November, 2017

593

This video shows how to work with one of the denominated Afro-Cuban music’s most interesting rhythms: the “Guaguancó”. 1st line: Right hand plays Rumba Clave in 3/2 on Cowbell. 2nd line: Left hand plays Snare combinations. 3rd line: Bass Dru

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13
Rumba Clave – 3001 – E

virtualdrummerschool

12 November, 2017

481

In this exercise, Ignacio Berroa explains the Clave and its application.   Commentary: When we talk about AfroCuban music, Clave is the first thing of order. Clave is a Cuban instrument made from two pieces of wood, with African roots. The first Clave tha

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12
Rumba Clave In 4/4 and 12/8 – 3002 – E

virtualdrummerschool

12 November, 2017

410

This video has two exercises with the explanation of the Claves and its evolution in 4×4 and 12×8. 1st line: left hand plays sixteenth notes on hihat. 2nd line: right hand plays Clave in 4×4. 1st line: left hand plays Eighth Note Triplets on hih

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