Tag: Ambidexterity

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32
Amalgam Applications for drum kit 5/8 (C) – 1258 – E

virtualdrummerschool

12 November, 2017

516

274. Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference

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27
Four bar construction (B – 1250 – E

virtualdrummerschool

12 November, 2017

508

124. This exercise is conceived for you to work on standard structures within music. A musician must first master the beat, then the measure and, thirdly, the structures. These are usually based on 4, 8, 12 and 16 measures. Use them to practice breaks, solos,&

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21
Double Displacement Sixteenth notes – 1253 – E

virtualdrummerschool

12 November, 2017

550

269. In this case we shall maintain a displacement with hands and others with feet. The method: 1) choose the metronome speed, 2)choose figure of progressions, 3) choose displacement with feet, 4) choose displacement with hands, 5) combine both displacements,

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26
Amalgam Applications for drum kit 5/8 – 1256 – E

virtualdrummerschool

12 November, 2017

477

272. Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference

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20
Amalgam Applications for drum kit 5/8 (B) – 1257 – E

virtualdrummerschool

12 November, 2017

545

273. Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference

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24
Of 5 in Eighth Triplet Notes – 1224 – E

virtualdrummerschool

12 November, 2017

520

215. Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called dis

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27
Of 3 in Sixteenth Notes – 1225 – E

virtualdrummerschool

12 November, 2017

478

216. Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called dis

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26
Triplet – Video – 1240 – E

virtualdrummerschool

12 November, 2017

541

231. As you all know well, this is one of the most commonly used rudiments. There are two ways of doing this exercise: using the Bounce-Roll, with a more closed sound, and without the Bounce-Roll, dominating each one of the beats. I’d suggest using the s

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27
1 stroke 16th notes – 1241 – E

virtualdrummerschool

12 November, 2017

571

232. As you all know well, this is one of the most commonly used rudiments. There are two ways of doing this exercise: using the Bounce-Roll, with a more closed sound, and without the Bounce-Roll, dominating each one of the beats. I’d suggest using the s

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25
2 strokes 16th notes- – 1242 – E

virtualdrummerschool

12 November, 2017

596

233. As you all know well, this is one of the most commonly used rudiments. There are two ways of doing this exercise: using the Bounce-Roll, with a more closed sound, and without the Bounce-Roll, dominating each one of the beats. I’d suggest using the s

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