Tag: cymbals

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18
17/8 Amalgam – 1704 – E

virtualdrummerschool

12 November, 2017

486

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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18
Amalgam – 1706 – E

virtualdrummerschool

12 November, 2017

566

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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21
11/4 Amalgam – 1707 – E

virtualdrummerschool

12 November, 2017

508

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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21
12/4 Amalgam (buleria) – 1708 – E

virtualdrummerschool

12 November, 2017

561

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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20
13/4 Amalgam – 1709 – E

virtualdrummerschool

12 November, 2017

596

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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23
15/4 Amalgam – 1710 – E

virtualdrummerschool

12 November, 2017

449

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

Watch Video
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19
17/8 Amalgam – 1711 – E

virtualdrummerschool

12 November, 2017

492

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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12
Rumba Forever – 1405 – E

virtualdrummerschool

12 November, 2017

371

I feel it’s important to be able to utilise all you have studied in a practical manner. I always say that the hours of study and practice should be like communicating vessels, there has to be a really good relationship between the one and the other. Here

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19
Jazz – Funk – 1314 – E

virtualdrummerschool

12 November, 2017

354

When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern musi

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12
Songo – 1321 – E

virtualdrummerschool

12 November, 2017

321

When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. This pattern is

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