Eighth Notes RL-RRLL-RRRLLL-RRRRLLLL, etc. – 5086 – E
Exercises of Rhythm Displacement. In this case while our left foot plays the Clave in the foot cowbell, our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Eighth Notes in the snare with the following combination: RL-RRLL-RRRLLL-RRRR
Eighth Notes Triplets RL-RRLL-RRRLLL, etc. – 5087 – E
Exercises of Rhythm Displacement. In this case while our left foot plays the Clave in the foot cowbell, our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play quarter notes Triplets in the snare with the following combination: RL-RRLL-R
Bass Drum play the 2nd and 3rd sixteenth Note – 5065 – E
Until now we have worked with 1 stroke, now we will work with 2 strokes in the BassDrum. We continue with the same structure. Your right hand plays Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the Clave with the F
Bass Drum play: 1st, 2nd and 3rd sixteenth Note – 5066 – E
In the previous exercises we have worked with 1 and 2 strokes, now we will use 3 strokes in the BassDrum. We continue with the same structure. Your right hand plays Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the
Bass Drum play: 2nd, 3rd and 4th sixteenth Note – 5067 – E
In the previous exercises we have worked with 1 and 2 strokes, now we will use 3 strokes in the BassDrum. We continue with the same structure. Your right hand plays Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the
Bass Drum plays: 1st, 2nd, 3rd and 4th Sixteens – 5068 – E
In the previous exercises we have worked with 1 and 2 strokes, now we will use 3 strokes in the BassDrum. We continue with the same structure. Your right hand plays Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the
Bass Drum plays: 2nd, 3rd, 4th and 5th Sixteens – 5069 – E
In the previous exercises we have worked with 1 and 2 strokes, now we will use 3 strokes in the BassDrum. We continue with the same structure. Your right hand plays Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the
1st and 2nd Eighth Note of the Triplet – 5034 – E
Working with a ternary concept (Triplets). Your left hand plays the Clave in the Wood Block, the right hand will play the Triplets, to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). This video consists
1st, 2nd and 3rd Eighth Note of the Triplet – 5035 – E
Working with a ternary concept (Triplets). Your left hand plays the Clave in the Wood Block, the right hand will play the Triplets, to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). This video consists
1st, 2nd, 3rd and 4th Eighth Note of the Triplet – 5036 – E
Working with a ternary concept (Triplets). Your left hand plays the Clave in the Wood Block, the right hand will play the Triplets, to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). This video consists
