Tag: Eighth notes

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18
A) 1st, 2nd, 3rd and 4th sixteenth note – 5027 – E

virtualdrummerschool

12 November, 2017

335

Until now you have been working with 1, 2 and 3 strokes, now you will use 4 strokes to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand wil

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18
A) 1st, 2nd, 3rd, 4th and 5th sixteenth note – 5028 – E

virtualdrummerschool

12 November, 2017

397

Until now you have been working with 1, 2, 3 and 4 strokes, now you will use 5 strokes to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand

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14
1st, 2nd and 3rd note of the 1st beat – 5030 – E

virtualdrummerschool

12 November, 2017

378

Working with a ternary concept (Triplets). Your left hand plays the Clave in the Wood Block, the right hand will play the Triplets, to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). This video consists

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11
Sixteenth Notes and Triplets with Clave – C – 5011 – E

virtualdrummerschool

12 November, 2017

364

In this exercise Horacio combines the subdivisions of Sixteenth notes and of Triplets with the right hand in snare and the Clave with the left hand in Wood Block, changing one and the other in each bar.   Commentary: Then we are going to play half of the

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14
Sixteenth Notes and Triplets with Clave – D – 5012 – E

virtualdrummerschool

12 November, 2017

451

In this exercise as in the exercise 11, Horacio combines the subdivisions of Sixteenth notes and of Triplets with the right hand in snare and the Clave with the left hand in Wood Block, changing one and the other in half of the Clave (each 2 quarter notes) &nb

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18
Sixteenth Notes and Triplets with Clave – E – 5013 – E

virtualdrummerschool

12 November, 2017

361

Horacio combines the subdivisions of Sixteenth notes and of Triplets with the right hand in snare and the Clave with the left hand in Wood Block the same as in the exercises 11 and 12 but, in this case, changing one and the other in each Quarter note of the ba

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18
Sixteenth Notes and Triplets with Clave – F – 5014 – E

virtualdrummerschool

12 November, 2017

428

Horacio inverts the combination of excercise 13 and begins the lesson with the subdivisions of Triplets and later those of Sixteenth notes with the right hand in snare maintaining the Clave with the left hand in Wood Block, the same as in the exercises 11 and

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15
1st and 2nd sixteenth note of the bar – 5024 – E

virtualdrummerschool

12 November, 2017

384

Until now you have been working with 1 stroke, now you will use 2 strokes to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play the

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16
2nd and 3rd sixteenth note of the bar – 5025 – E

virtualdrummerschool

12 November, 2017

427

Until now you have been working with 1 stroke, now you will use 2 strokes to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play the

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18
Rumba Clave 3:2 – 5006 – E

virtualdrummerschool

12 November, 2017

430

If you want to understand how the Rumba Clave is in 3:2 this is your exercise. Always with very low speeds learn how to apply one of the most used Claves in the Latin music.   Commentary: And then we have the Rumba Clave (3/2) which is very similar to the

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