Tag: Güiro

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33
Demo 2 – 8122 – E

virtualdrummerschool

12 November, 2017

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A last example of how to use the “Shekere” in pattern of Afro music. Interesting example to see the master Giovanni playing typical ceremonial songs while doing the different “Floreos” or ‘flourishes’ within the pattern. &nb

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Guaguancó D 6/8 (the Medium one) – 8119 – E

virtualdrummerschool

12 November, 2017

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Here you have the second 6/8 pattern for “Shekere” used in the “Yoruba” ceremonies (Lukumi) with three Shekeres. The master Giovanni shows you all the variations for these patterns.   Commentary: Right? The second one, bigger, medi

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25
Guaguancó E 6/8 (the Big one) – 8120 – E

virtualdrummerschool

12 November, 2017

561

The third 6/8 pattern for “Shekere”, used in the “Yoruba” ceremonies (Lukumi) with three Shekeres. The master Giovanni shows you all the variations for these patterns. This last version is at a fast tempo.   Commentary: And the thi

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26
Demo 1 – 8121 – E

virtualdrummerschool

12 November, 2017

519

The master Giovanni shows you a last pattern summing up all the variations for “Shekere”, used in the “Yoruba” ceremonies (Lukumi) with three Shekeres. Here you have a demo on how to fill and play this instrument creatively.   Comm

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31
Guaguancó C 6/8 (the Small one) – 8118 – E

virtualdrummerschool

12 November, 2017

564

The master Giovanni introduces you to other variations of the 6/8 patterns for “Shekere,” played in the”Yoruba” ceremonies (Lukumi) with three Shekeres. Here you have the first one.   Commentary: Then, another variation on the Shek

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34
Guaguancó A – 8116 – E

virtualdrummerschool

12 November, 2017

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Here you have an explanation of what a “Shekere” is, how it is made and how to hold it in your hands. Also, Giovanni shows you the first “Guaguancó” pattern.   Commentary: Now this is a Shekere. The original Shekere is a gord that

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37
Guaguancó B – 8117 – E

virtualdrummerschool

12 November, 2017

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A second variation of the “Guaguancó” pattern at normal tempo, with a slower second part, in order to show you the movements and the resulting sound.   Commentary: Second variation, 1, 2, 3, 4… Right? Slow, the first one, 1, 2, 3, 4R

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