Tag: Hihat

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20
Camel Ride song – 1402 – E

virtualdrummerschool

12 November, 2017

502

I feel it’s important to be able to utilise all you have studied in a practical manner. I always say that the hours of study and practice should be like communicating vessels, there has to be a really good relationship between the one and the other. Here

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17
Natural Energy song – 1403 – E

virtualdrummerschool

12 November, 2017

524

I feel it’s important to be able to utilise all you have studied in a practical manner. I always say that the hours of study and practice should be like communicating vessels, there has to be a really good relationship between the one and the other. Here

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23
Eyes song – 1404 – E

virtualdrummerschool

12 November, 2017

517

I feel it’s important to be able to utilise all you have studied in a practical manner. I always say that the hours of study and practice should be like communicating vessels, there has to be a really good relationship between the one and the other. Here

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19
Rumba Forever – 1405 – E

virtualdrummerschool

12 November, 2017

514

I feel it’s important to be able to utilise all you have studied in a practical manner. I always say that the hours of study and practice should be like communicating vessels, there has to be a really good relationship between the one and the other. Here

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25
Jazz – Funk – 1314 – E

virtualdrummerschool

12 November, 2017

427

When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern musi

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21
Scale – 1245 – E

virtualdrummerschool

12 November, 2017

475

The application of the progression to crotchet triplets is another element that I commonly hear in numerous drummers (Weckl, Champers, Rosemblat,…). Therefore it is essential to control the crotchet triplet with great clarity within the measure. Use exer

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26
Amalgam Applications for drum kit 5/8 (D) – 1259 – E

virtualdrummerschool

12 November, 2017

471

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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20
Amalgam Applications for drum kit 7/8 (A) – 1260 – E

virtualdrummerschool

12 November, 2017

497

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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18
Amalgam Applications for drum kit 7/8 (B) – 1261 – E

virtualdrummerschool

12 November, 2017

500

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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27
Shuffle (Ternary rock) – 1301 – E

virtualdrummerschool

12 November, 2017

497

When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Here we are work

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