Tag: Hihat

image Watch Video
20
Eighth Notes RL-RRLL-RRRLLL-RRRRLLLL, etc. – 5086 – E

virtualdrummerschool

12 November, 2017

1052

Exercises of Rhythm Displacement. In this case while our left foot plays the Clave in the foot cowbell, our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Eighth Notes in the snare with the following combination: RL-RRLL-RRRLLL-RRRR

Watch Video
image Watch Video
17
Eighth Notes Triplets RL-RRLL-RRRLLL, etc. – 5087 – E

virtualdrummerschool

12 November, 2017

430

Exercises of Rhythm Displacement. In this case while our left foot plays the Clave in the foot cowbell, our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play quarter notes Triplets in the snare with the following combination: RL-RRLL-R

Watch Video
image Watch Video
22
1st and 2nd Eighth Note of the Triplet – 5034 – E

virtualdrummerschool

12 November, 2017

600

Working with a ternary concept (Triplets). Your left hand plays the Clave in the Wood Block, the right hand will play the Triplets, to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). This video consists

Watch Video
image Watch Video
18
1st, 2nd and 3rd Eighth Note of the Triplet – 5035 – E

virtualdrummerschool

12 November, 2017

393

Working with a ternary concept (Triplets). Your left hand plays the Clave in the Wood Block, the right hand will play the Triplets, to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). This video consists

Watch Video
image Watch Video
21
1st, 2nd, 3rd and 4th Eighth Note of the Triplet – 5036 – E

virtualdrummerschool

12 November, 2017

499

Working with a ternary concept (Triplets). Your left hand plays the Clave in the Wood Block, the right hand will play the Triplets, to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). This video consists

Watch Video
image Watch Video
16
Demo with Triplets and Sixteenth Notes – 5037 – E

virtualdrummerschool

12 November, 2017

422

Here you have a demonstration of how and for what reason all these combinations are used. You will be able to understand all of Horacio’s work system. As he says: “it is important not to jump the steps since they are fundamental to master the syste

Watch Video
image Watch Video
28
Bass Drum play the 1st and 2nd sixteenth Note – 5064 – E

virtualdrummerschool

12 November, 2017

106

Until now we have worked with 1 stroke, now we will work with 2 strokes in the BassDrum. We continue with the same structure. Your right hand plays Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the Clave with the F

Watch Video
image Watch Video
24
Bass Drum play the 2nd and 3rd sixteenth Note – 5065 – E

virtualdrummerschool

12 November, 2017

80

Until now we have worked with 1 stroke, now we will work with 2 strokes in the BassDrum. We continue with the same structure. Your right hand plays Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the Clave with the F

Watch Video
image Watch Video
23
Bass Drum play: 1st, 2nd and 3rd sixteenth Note – 5066 – E

virtualdrummerschool

12 November, 2017

120

In the previous exercises we have worked with 1 and 2 strokes, now we will use 3 strokes in the BassDrum. We continue with the same structure. Your right hand plays Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the

Watch Video
image Watch Video
18
Bass Drum play: 2nd, 3rd and 4th sixteenth Note – 5067 – E

virtualdrummerschool

12 November, 2017

435

In the previous exercises we have worked with 1 and 2 strokes, now we will use 3 strokes in the BassDrum. We continue with the same structure. Your right hand plays Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the

Watch Video
Musicrowfunding