Tag: Hihat

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15
Right and left Hand play Hihat (B) – 5045 – E

virtualdrummerschool

12 November, 2017

398

First, Horacio shows you what is the Cáscara and how to play it with the right hand and the Left hand in the Hihat, and he explains that these are the first steps to introduce the 4th element (BassDrum). Here you have the 2nd combination.   Commentary: T

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61
19/4 Amalgam – 1712 – E

virtualdrummerschool

12 November, 2017

827

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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59
9/4 Amalgam – 1714 – E

virtualdrummerschool

12 November, 2017

800

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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64
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

729

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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49
4/4 Polyrhythm – 1736 – E

virtualdrummerschool

12 November, 2017

746

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

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31
Bembé Polyrhythm – 1701 – E

virtualdrummerschool

12 November, 2017

1006

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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22
18/4 Amalgam – 1702 – E

virtualdrummerschool

12 November, 2017

653

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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25
14/4 Amalgam – 1703 – E

virtualdrummerschool

12 November, 2017

731

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

Watch Video
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23
17/8 Amalgam – 1704 – E

virtualdrummerschool

12 November, 2017

601

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

Watch Video
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23
Amalgam – 1706 – E

virtualdrummerschool

12 November, 2017

709

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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