Tag: Hihat

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15
Hihat on the 1st, 2nd, 3rd and 4th Quarter Note – 5040 – E

virtualdrummerschool

12 November, 2017

364

These exercises will help you to control the hihat and will give you the necessary independence to be able to introduce this third element in your DrumKit. While your right hand plays the Eighth Notes and your left hand plays the Clave, we work the Hihat with

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53
19/4 Amalgam – 1712 – E

virtualdrummerschool

12 November, 2017

702

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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49
9/4 Amalgam – 1714 – E

virtualdrummerschool

12 November, 2017

682

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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50
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

606

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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41
4/4 Polyrhythm – 1736 – E

virtualdrummerschool

12 November, 2017

620

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

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22
12/4 Amalgam (buleria) – 1708 – E

virtualdrummerschool

12 November, 2017

585

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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22
13/4 Amalgam – 1709 – E

virtualdrummerschool

12 November, 2017

648

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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26
15/4 Amalgam – 1710 – E

virtualdrummerschool

12 November, 2017

490

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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23
17/8 Amalgam – 1711 – E

virtualdrummerschool

12 November, 2017

537

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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24
Bembé Polyrhythm – 1701 – E

virtualdrummerschool

12 November, 2017

777

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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