Tag: Jazz-Rock

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95
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

890

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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68
4/4 Polyrhythm – 1736 – E

virtualdrummerschool

12 November, 2017

870

I prepared this base for a demonstration years ago, and the idea was to develop ternary concepts on this binary sequence. This effect usually reminds me of African music. Do not forget Africa!! For us, it’s almost a motherland.   Commentary:  

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95
19/4 Amalgam – 1712 – E

virtualdrummerschool

12 November, 2017

972

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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95
9/4 Amalgam – 1714 – E

virtualdrummerschool

12 November, 2017

963

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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61
14/4 Amalgam – 1703 – E

virtualdrummerschool

12 November, 2017

1079

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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29
17/8 Amalgam – 1704 – E

virtualdrummerschool

12 November, 2017

714

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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33
Amalgam – 1706 – E

virtualdrummerschool

12 November, 2017

845

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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32
11/4 Amalgam – 1707 – E

virtualdrummerschool

12 November, 2017

714

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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32
12/4 Amalgam (buleria) – 1708 – E

virtualdrummerschool

12 November, 2017

739

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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31
13/4 Amalgam – 1709 – E

virtualdrummerschool

12 November, 2017

798

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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