Giovanni plays a Demo in 6/8 to demonstrate how you can apply all those exercises, maintaining a line on the cowbell and improvising with the other on Timbales.   Commentary: Example, I would like to do a little improvisation, free style, ok? Let’s

The master Giovanni plays a second Demo with the “Guaguancó Cáscara” to demonstrate how you can apply all those exercises, maintaining a line on the cowbell and improvising with the other on Timbales.   Commentary: Cáscara in Guaguancó par

The master Giovanni plays a third DEMO-SOLO in 6/8 to demonstrate how you can apply all of these exercises, maintaining one line with the left hand on the Cha-Cha cowbell and improvising with the other on the Mambo cowbell and the Timbales.   Commentary:

The master Giovanni plays a fourth DEMO-SOLO with two variations on the Mozambique pattern to demonstrate how you can apply all those exercises maintaining one line with the left hand on the Cha-Cha cowbell and improvising with the other on Timbales.   Co

The master Giovanni plays a fifth DEMO-SOLO with variations on the Mozambique pattern to demonstrate how you can apply all of these exercises, maintaining one line on the Cha-Cha cowbell with the right hand and improvising with the other on Timbales.   Co

The master Giovanni plays a sixth DEMO-SOLO with variations on Mambo or Jazz to demonstrate how you can apply all of these exercises, maintaining one line on the cymbal with the right hand and improvising with the other on Timbales.   Commentary: Then whe

Here you have the first of Giovanni’s songs, with Josep M. Kitflus (piano) and Carles Benavent (bass,) in 7/8. In these songs he shows you how to practically apply his concept on Congas in patterns as well as in solos.   Commentary: Now, a new song

Here you have the third of Giovanni’s songs with Josep M. Kitflus (piano) and Carles Benavent (bass). In this case, the master Giovanni uses a Flamenco pattern (Bulería) to show you how to apply practically his concept on Congas.   Commentary: Now,

The master Giovanni Hidalgo carries out a demonstration including all the previous exercises based on independence for both hands on cowbells. Here, he carries out a “Canon” with the “Cáscara”.   Commentary: Example, of course, wh

Here you have another combination of independence for both hands on cowbells with two completely different patterns. In this case, Giovanni plays two “Cáscaras,” one on the Cha-Cha cowbell and the second on the Mambo cowbell.   Commentary: Th