Tag: Patterns

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21
Sixteenth Notes and Triplets with Clave – E – 5013 – E

virtualdrummerschool

12 November, 2017

423

Horacio combines the subdivisions of Sixteenth notes and of Triplets with the right hand in snare and the Clave with the left hand in Wood Block the same as in the exercises 11 and 12 but, in this case, changing one and the other in each Quarter note of the ba

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22
Sixteenth Notes and Triplets with Clave – F – 5014 – E

virtualdrummerschool

12 November, 2017

512

Horacio inverts the combination of excercise 13 and begins the lesson with the subdivisions of Triplets and later those of Sixteenth notes with the right hand in snare maintaining the Clave with the left hand in Wood Block, the same as in the exercises 11 and

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18
1st and 2nd sixteenth note of the bar – 5024 – E

virtualdrummerschool

12 November, 2017

437

Until now you have been working with 1 stroke, now you will use 2 strokes to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play the

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20
2nd and 3rd sixteenth note of the bar – 5025 – E

virtualdrummerschool

12 November, 2017

489

Until now you have been working with 1 stroke, now you will use 2 strokes to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play the

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21
Rumba Clave 3:2 – 5006 – E

virtualdrummerschool

12 November, 2017

500

If you want to understand how the Rumba Clave is in 3:2 this is your exercise. Always with very low speeds learn how to apply one of the most used Claves in the Latin music.   Commentary: And then we have the Rumba Clave (3/2) which is very similar to the

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21
African Clave (Triplets) – 5007 – E

virtualdrummerschool

12 November, 2017

719

How to apply the Clave in 6/8 with an internal subdivision of Triplets? Horacio explains it in a very simple way.   Commentary: Afrocuban Music is the result of the mixture of the different percussion instruments as, frequently and as a result of the afri

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22
Sixteenth Notes and Triplets with Clave – A – 5009 – E

virtualdrummerschool

12 November, 2017

602

Here you have one of the essential exercises in Horacio’s technique, our advise is to work on it. In the first part you will find the combination of the Clave with Sixteenth notes and in the second part the combination of the Clave with Triplets.  

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25
Hihat on 1st and 3rd beat of the bar – 5046 – E

virtualdrummerschool

12 November, 2017

511

In this exercise while you apply the Clave with the left hand in Wood Block, the snare plays the Clave and we combine the Hihat in the 1st and 3rd quarter note of the bar.   Commentary: “Cáscara” and Clave are two rhythms that, they are sort

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18
Hihat on 2nd and 4th beat of the bar – 5047 – E

virtualdrummerschool

12 November, 2017

527

In this exercise while you apply the Clave with the left hand in Wood Block, the snare plays the Clave and we combine the Hihat in the 2nd and 4th quarter note of the bar.   Commentary: 1, 2, 3, 4… Of course, with the “Cáscara” and the

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19
Comments and Demos on how to apply the 4th line – 5048 – E

virtualdrummerschool

12 November, 2017

436

We will start to study the structure that will help us to introduce the 4th element. While your right hand plays the Cáscara in Wood Block, your left hand plays quarter notes in snare, your right foot plays the Clave with the Foot Cowbell and the BassDrum wil

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