Tag: Patterns

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22
7th and 8th sixteenth note of the bar – 5019 – E

virtualdrummerschool

12 November, 2017

516

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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16
9th and 10th sixteenth note of the bar – 5020 – E

virtualdrummerschool

12 November, 2017

499

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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15
11th and 12th sixteenth note of the bar – 5021 – E

virtualdrummerschool

12 November, 2017

452

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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13
13th and 14th sixteenth note of the bar – 5022 – E

virtualdrummerschool

12 November, 2017

542

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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21
5th and 6th sixteenth note of the bar – 5018 – E

virtualdrummerschool

12 November, 2017

507

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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19
Bembé Clave on 6/8 and 12/8 – 5003 – E

virtualdrummerschool

12 November, 2017

1096

Here you will find a small introduction of how the Bembé Clave is applied in 6/8 and which is its origin.   Commentary: Once we have very clear these subdivisions, then we will get into the study of the “Clave” itself. The Clave, as we said b

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23
Son Clave 3:2 – 5004 – E

virtualdrummerschool

12 November, 2017

401

This is one of the first steps to understand the evolution of the Bembé Clave to the Son Clave. Horacio works with a very low metronome speed (quarter note at 60) so that its understanding is easier   Commentary: Then, we have the Son Clave that is born

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23
Son Clave 2:3 – 5005 – E

virtualdrummerschool

12 November, 2017

474

Horacio explains how to understand and play the Clave in 2:3, with a very slow exercise so you can see the situation inside the bar.   Commentary: This Clave in particular, has also the peculiarity that it can start on the third beat, so it is what is cal

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20
Son Clave 3:2 – 5008 – E

virtualdrummerschool

12 November, 2017

542

Horacio explains how to understand and to play the Son Clave in 3:2, with a very slow exercise so you can see the situation inside the bar.   Commentary: Then we are going to have the Son Clave with the binary subdivision using exactly the same pulse as w

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16
How to work this exercises – 5015 – E

virtualdrummerschool

12 November, 2017

514

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Right hand plays the Clave in the Wood Block and left hand will play each one of the 16 Sixteenth notes. In t

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