Tag: Play Alone

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22
13/4 Amalgam – 1709 – E

virtualdrummerschool

12 November, 2017

709

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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29
15/4 Amalgam – 1710 – E

virtualdrummerschool

12 November, 2017

554

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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29
17/8 Amalgam – 1711 – E

virtualdrummerschool

12 November, 2017

586

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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29
Bembé Polyrhythm – 1701 – E

virtualdrummerschool

12 November, 2017

940

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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23
Jazz – Funk – 1314 – E

virtualdrummerschool

12 November, 2017

412

When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Most modern musi

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17
Songo – 1321 – E

virtualdrummerschool

12 November, 2017

378

When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. This pattern is

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19
Samba – 1322 – E

virtualdrummerschool

12 November, 2017

562

When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. I am not a speci

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19
Mozambique – 1323 – E

virtualdrummerschool

12 November, 2017

475

When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Just as in the c

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21
Reggae – 1324 – E

virtualdrummerschool

12 November, 2017

464

When working on these loops, try to get references from records in this style: listen to the drummer but also to the entire group. Do not reduce your vision, music is a whole, and the only way to understand any style is with thorough analysis. Reggae is the ro

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21
Azul Song – 1401 – E

virtualdrummerschool

12 November, 2017

543

I feel it’s important to be able to utilise all you have studied in a practical manner. I always say that the hours of study and practice should be like communicating vessels, there has to be a really good relationship between the one and the other. Here

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