Tag: Progressions

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21
Rhythm Language with 2 hands – 2 Strokes LL-RR – 5074 – E

virtualdrummerschool

12 November, 2017

410

In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the

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15
Bass Drum play the 16th Sixteenth Note of the bar – 5063 – E

virtualdrummerschool

12 November, 2017

432

In these exercises while your right hand plays the Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the Clave with the Foot Cowbell and the BassDrum plays the 16th Sixteenth note of the bar.   Commentary: And the

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11
Rhythm Language with 2 hands – 1 Stroke R-L – 5071 – E

virtualdrummerschool

12 November, 2017

368

In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the

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23
Rhythm Language with 2 hands – 1 Stroke L-R – 5072 – E

virtualdrummerschool

12 November, 2017

440

In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the

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17
Rhythm Language with 2 hands – 2 Strokes RR-LL – 5073 – E

virtualdrummerschool

12 November, 2017

367

In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the

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19
Scale – 1245 – E

virtualdrummerschool

12 November, 2017

422

The application of the progression to crotchet triplets is another element that I commonly hear in numerous drummers (Weckl, Champers, Rosemblat,…). Therefore it is essential to control the crotchet triplet with great clarity within the measure. Use exer

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16
2 strokes (L) – 1218 – E

virtualdrummerschool

12 November, 2017

496

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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13
3 strokes (R) – 1219 – E

virtualdrummerschool

12 November, 2017

405

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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13
3 strokes (L) – 1220 – E

virtualdrummerschool

12 November, 2017

510

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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18
Of 2 in Quintuplets notes – 1228 – E

virtualdrummerschool

12 November, 2017

419

Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called displace

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