Tag: Progressions

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26
Bass Drum play the 16th Sixteenth Note of the bar – 5063 – E

virtualdrummerschool

12 November, 2017

503

In these exercises while your right hand plays the Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the Clave with the Foot Cowbell and the BassDrum plays the 16th Sixteenth note of the bar.   Commentary: And the

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18
Rhythm Language with 2 hands – 1 Stroke R-L – 5071 – E

virtualdrummerschool

12 November, 2017

450

In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the

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33
Rhythm Language with 2 hands – 1 Stroke L-R – 5072 – E

virtualdrummerschool

12 November, 2017

511

In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the

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28
Rhythm Language with 2 hands – 2 Strokes RR-LL – 5073 – E

virtualdrummerschool

12 November, 2017

448

In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the

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31
Rhythm Language with 2 hands – 2 Strokes LL-RR – 5074 – E

virtualdrummerschool

12 November, 2017

479

In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the

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42
Scale – 1245 – E

virtualdrummerschool

12 November, 2017

550

The application of the progression to crotchet triplets is another element that I commonly hear in numerous drummers (Weckl, Champers, Rosemblat,…). Therefore it is essential to control the crotchet triplet with great clarity within the measure. Use exer

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29
3 strokes (L) – 1208 – E

virtualdrummerschool

12 November, 2017

627

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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33
1 stroke (R) – 1215 – E

virtualdrummerschool

12 November, 2017

469

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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37
1 stroke (L) – 1216 – E

virtualdrummerschool

12 November, 2017

575

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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35
2 strokes (R) – 1217 – E

virtualdrummerschool

12 November, 2017

601

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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