Of 2 in Quintuplets notes – 1228 – E
Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called displace
Of 3 in Quintuplets notes – 1229 – E
Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called displace
Of 4 in Quintuplets notes – 1230 – E
Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called displace
Seventh Notes – 1009 – E
This exercise has 16 parts: work with both hands (R-L or L-R), one stroke by each, and the HiHat always on quarter notes. Line 1 – Septuplets Line 2 – Quarter notes Line 3 – Septuplets Line 4 – Quarter note triplets Line 5 – Septu
Demisemiquaver notes – 1010 – E
This exercise has 16 parts: work with both hands (R-L or L-R), one stroke by each, and the HiHat always on quarter notes. Line 1 – Thirty-second notes Line 2 – Quarter notes Line 3 – Thirty-second notes Line 4 – Quarter note triplets Li
Example odd figures – 1020 – E
This exercise consists of 3 parts, to be played with both hands (R-L or L-R) on the snare and combining this with the bass drum and HiHat. 1 – Practise triplets 2 – Practise quintuplets 3 – Practise septuplets Commentary: This is a ver
