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Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called displace
Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called displace
Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called displace
This exercise has 16 parts: work with both hands (R-L or L-R), one stroke by each, and the HiHat always on quarter notes. Line 1 – Septuplets Line 2 – Quarter notes Line 3 – Septuplets Line 4 – Quarter note triplets Line 5 – Septu
This exercise has 16 parts: work with both hands (R-L or L-R), one stroke by each, and the HiHat always on quarter notes. Line 1 – Thirty-second notes Line 2 – Quarter notes Line 3 – Thirty-second notes Line 4 – Quarter note triplets Li
This exercise consists of 3 parts, to be played with both hands (R-L or L-R) on the snare and combining this with the bass drum and HiHat. 1 – Practise triplets 2 – Practise quintuplets 3 – Practise septuplets Commentary: This is a ver
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