Tag: Rhythmic language

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39
Scale – 1245 – E

virtualdrummerschool

12 November, 2017

538

The application of the progression to crotchet triplets is another element that I commonly hear in numerous drummers (Weckl, Champers, Rosemblat,…). Therefore it is essential to control the crotchet triplet with great clarity within the measure. Use exer

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46
Amalgam Applications for drum kit 5/8 (D) – 1259 – E

virtualdrummerschool

12 November, 2017

528

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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39
Amalgam Applications for drum kit 7/8 (A) – 1260 – E

virtualdrummerschool

12 November, 2017

553

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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35
Amalgam Applications for drum kit 7/8 (B) – 1261 – E

virtualdrummerschool

12 November, 2017

545

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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26
3 strokes (L) – 1220 – E

virtualdrummerschool

12 November, 2017

579

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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36
Of 2 in Quintuplets notes – 1228 – E

virtualdrummerschool

12 November, 2017

518

Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called displace

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35
Of 3 in Quintuplets notes – 1229 – E

virtualdrummerschool

12 November, 2017

483

Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called displace

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33
Of 4 in Quintuplets notes – 1230 – E

virtualdrummerschool

12 November, 2017

506

Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called displace

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28
3 strokes (L) – 1208 – E

virtualdrummerschool

12 November, 2017

625

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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29
1 stroke (R) – 1215 – E

virtualdrummerschool

12 November, 2017

460

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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