Tag: Rhythmic language

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42
Amalgam Applications for drum kit 7/8 (A) – 1260 – E

virtualdrummerschool

12 November, 2017

609

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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42
Amalgam Applications for drum kit 7/8 (B) – 1261 – E

virtualdrummerschool

12 November, 2017

619

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

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51
Scale – 1245 – E

virtualdrummerschool

12 November, 2017

657

The application of the progression to crotchet triplets is another element that I commonly hear in numerous drummers (Weckl, Champers, Rosemblat,…). Therefore it is essential to control the crotchet triplet with great clarity within the measure. Use exer

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54
Amalgam Applications for drum kit 5/8 (D) – 1259 – E

virtualdrummerschool

12 November, 2017

598

Up to this section, we have been working at 4/4. From now on, we shall go on to other measures. There is a method of Bob Moses’s which I have found extremely useful for an understanding of this kind of measures: Bob Moses called it “reference point

Watch Video
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39
1 stroke (L) – 1216 – E

virtualdrummerschool

12 November, 2017

632

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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40
2 strokes (R) – 1217 – E

virtualdrummerschool

12 November, 2017

648

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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36
2 strokes (L) – 1218 – E

virtualdrummerschool

12 November, 2017

673

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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43
3 strokes (R) – 1219 – E

virtualdrummerschool

12 November, 2017

541

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

Watch Video
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34
3 strokes (L) – 1220 – E

virtualdrummerschool

12 November, 2017

647

Here we work on independence, one of the most interesting aspects of the drum kit. These exercises were influenced by those created by the drummer Kenny Arnoff. Watch out that the cymbal maintains one figure, the snare is in the 2-4, the hi-hat with crotchets

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44
Of 2 in Quintuplets notes – 1228 – E

virtualdrummerschool

12 November, 2017

580

Up to now, we have worked with two reference points: first, the metronome speed, and second, the figure chosen among the progressions, with all its combinations. In this section, we shall deal with a third reference or calculation point: the so-called displace

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