Tag: SemiEighth notes

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28
Hihat on 2nd and 4th beat of the bar – 5047 – E

virtualdrummerschool

12 November, 2017

630

In this exercise while you apply the Clave with the left hand in Wood Block, the snare plays the Clave and we combine the Hihat in the 2nd and 4th quarter note of the bar.   Commentary: 1, 2, 3, 4… Of course, with the “Cáscara” and the

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31
Comments and Demos on how to apply the 4th line – 5048 – E

virtualdrummerschool

12 November, 2017

559

We will start to study the structure that will help us to introduce the 4th element. While your right hand plays the Cáscara in Wood Block, your left hand plays quarter notes in snare, your right foot plays the Clave with the Foot Cowbell and the BassDrum wil

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34
Demo on How to apply this exercise – 5070 – E

virtualdrummerschool

12 November, 2017

659

In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the

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33
Danzón-Paseo (B) – 5100 – E

virtualdrummerschool

12 November, 2017

655

Here you have another important and complementary part to play the Danzón. This is called “Paseo” and it is played in the Toms; it is practically a call to restart the Danzón.   Commentary: This Danzón has a very important part happening on

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30
Songo (A) – 5105 – E

virtualdrummerschool

12 November, 2017

757

Horacio shows you the Songo pattern, in this version he will play: Right Hand in Hihat, left Hand in Snare, plus BassDrum and Hihat, in a very Funky concept.   Commentary: Then we have the Songo which can be in a way related to jazz, you know regarding dr

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36
Hihat on 1st and 3rd beat of the bar – 5046 – E

virtualdrummerschool

12 November, 2017

598

In this exercise while you apply the Clave with the left hand in Wood Block, the snare plays the Clave and we combine the Hihat in the 1st and 3rd quarter note of the bar.   Commentary: “Cáscara” and Clave are two rhythms that, they are sort

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26
15th and 16th sixteenth note of the bar – 5023 – E

virtualdrummerschool

12 November, 2017

673

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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31
7th and 8th sixteenth note of the bar – 5019 – E

virtualdrummerschool

12 November, 2017

624

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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31
9th and 10th sixteenth note of the bar – 5020 – E

virtualdrummerschool

12 November, 2017

588

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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20
11th and 12th sixteenth note of the bar – 5021 – E

virtualdrummerschool

12 November, 2017

527

In this group of exercises you will work with your two hands to reach independence (it is important that you sing the subdivisions like Horacio does). Your right hand plays the Clave in the Wood Block, the left hand will play each one of the 16 Sixteenth notes

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