Independence Exercises 4/4 A – 8149 – E
Another independence combination for both hands on cowbells. In this case, Giovanni carries out a “Canon” with the “Cáscara,” introducing the second melody on the second quarter note. Commentary: Another combination that you can
Independence Exercises 4/4 B – 8150 – E
Another independence combination for both hands on cowbells. In this case, Giovanni plays a “Canon” with the “Cáscara,” introducing the second melody on the third quarter note. Commentary: The other version, starting on the thre
Independence Exercises 4/4 C – 8151 – E
Another independence combination for both hands on cowbells. In this case, Giovanni plays a “Canon” with the “Cáscara”, introducing the second melody on the fourth quarter note. Commentary: So, when you put that on the four, wit
Independence Exercises 4/4 D – 8152 – E
The master Giovanni Hidalgo carries out a demonstration including all the previous exercises based on independence for both hands on cowbells. Here, he carries out a “Canon” with the “Cáscara”. Commentary: Example, of course, wh
Independence Exercises 4/4 E – 8153 – E
Here you have another combination of independence for both hands on cowbells with two completely different patterns. In this case, Giovanni plays two “Cáscaras,” one on the Cha-Cha cowbell and the second on the Mambo cowbell. Commentary: Th
Mambo F – 8135 – E
The master Giovanni shows you another variation for “Timbales” with “Cáscara” patterns on the Cha-Cha cowbell, and the different possibilities. Commentary: After that, when you want to add, there is another style, that’s w
Cymbal 6/8 pattern (1) – 8138 – E
The master Giovanni shows you two variations for “Timbales” in 6/8 on the cymbal. Commentary: Now, let me do something that is similar but on the cymbal, the same 6/8 feel following the same patterns that I was playing here, both, ok? Separa
Cymbal 6/8 pattern (2) – 8139 – E
The master Giovanni shows you two variations for “Timbales” in 6/8 on the cymbal, in which he explains the placement of your left hand on the downbeat as well as the upbeat. Commentary: So that’s how you combine in the same pattern, or
Baqueteo – 8142 – E
The master Giovanni introduces you to one of the most interesting patterns for “Timbales”, called “Baqueteo”, with some variations and “Floreos” or ‘flourishes.’ Commentary: Now, I would like to play somet
Boogaloo A – 8145 – E
The master Giovanni introduces you to the first “Boogaloo” pattern for “Timbales” with the cymbal. Here you have two variations. Commentary: Now, I don’t want to forget a good era, and I grew up with that, and that was the
