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Another independence combination for both hands on cowbells. In this case, Giovanni carries out a “Canon” with the “Cáscara,” introducing the second melody on the second quarter note. Commentary: Another combination that you can
Another independence combination for both hands on cowbells. In this case, Giovanni plays a “Canon” with the “Cáscara,” introducing the second melody on the third quarter note. Commentary: The other version, starting on the thre
Another independence combination for both hands on cowbells. In this case, Giovanni plays a “Canon” with the “Cáscara”, introducing the second melody on the fourth quarter note. Commentary: So, when you put that on the four, wit
The master Giovanni Hidalgo carries out a demonstration including all the previous exercises based on independence for both hands on cowbells. Here, he carries out a “Canon” with the “Cáscara”. Commentary: Example, of course, wh
Here you have another combination of independence for both hands on cowbells with two completely different patterns. In this case, Giovanni plays two “Cáscaras,” one on the Cha-Cha cowbell and the second on the Mambo cowbell. Commentary: Th
The master Giovanni shows you another variation for “Timbales” with “Cáscara” patterns on the Cha-Cha cowbell, and the different possibilities. Commentary: After that, when you want to add, there is another style, that’s w
The master Giovanni shows you two variations for “Timbales” in 6/8 on the cymbal. Commentary: Now, let me do something that is similar but on the cymbal, the same 6/8 feel following the same patterns that I was playing here, both, ok? Separa
The master Giovanni shows you two variations for “Timbales” in 6/8 on the cymbal, in which he explains the placement of your left hand on the downbeat as well as the upbeat. Commentary: So that’s how you combine in the same pattern, or
The master Giovanni introduces you to one of the most interesting patterns for “Timbales”, called “Baqueteo”, with some variations and “Floreos” or ‘flourishes.’ Commentary: Now, I would like to play somet
The master Giovanni introduces you to the first “Boogaloo” pattern for “Timbales” with the cymbal. Here you have two variations. Commentary: Now, I don’t want to forget a good era, and I grew up with that, and that was the
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