Tag: Toms

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28
Bass Drum play the 1st and 2nd sixteenth Note – 5064 – E

virtualdrummerschool

12 November, 2017

105

Until now we have worked with 1 stroke, now we will work with 2 strokes in the BassDrum. We continue with the same structure. Your right hand plays Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the Clave with the F

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24
Bass Drum play the 2nd and 3rd sixteenth Note – 5065 – E

virtualdrummerschool

12 November, 2017

80

Until now we have worked with 1 stroke, now we will work with 2 strokes in the BassDrum. We continue with the same structure. Your right hand plays Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the Clave with the F

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25
Demo on How to apply this exercise – 5070 – E

virtualdrummerschool

12 November, 2017

411

In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the

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27
Danzón (A) – 5099 – E

virtualdrummerschool

12 November, 2017

637

Horacio shows how to play the Danzón pattern, one of the Afro-Cuban music’s historical rhythms. This pattern is played in the Snare with both hands. Right hand plays the Snare with the Stick, Left hand plays the Croostick with the Stick.   Commenta

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19
Danzón-Paseo (B) – 5100 – E

virtualdrummerschool

12 November, 2017

446

Here you have another important and complementary part to play the Danzón. This is called “Paseo” and it is played in the Toms; it is practically a call to restart the Danzón.   Commentary: This Danzón has a very important part happening on

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19
Danzón-Paseo-Cha-Cha-Chá (C) – 5101 – E

virtualdrummerschool

12 November, 2017

1227

Horacio shows you how to play the “Abanico” in the Snare to open the way to the ChaChaChá, which is the third pattern that is usually introduced in the topics of Danzón. He also shows you how to apply the three patterns (Danzón, Paseo, Cha Chá)

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16
Songo (A) – 5105 – E

virtualdrummerschool

12 November, 2017

492

Horacio shows you the Songo pattern, in this version he will play: Right Hand in Hihat, left Hand in Snare, plus BassDrum and Hihat, in a very Funky concept.   Commentary: Then we have the Songo which can be in a way related to jazz, you know regarding dr

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22
Bembé (A) – 5111 – E

virtualdrummerschool

12 November, 2017

375

Here you have the “Bembé” Pattern in 6/8, your Right Hand plays “Cáscara” in Cowbell, your Left Foot plays dotted Quarter Notes combining Hihat with Foot Cowbell, Left Hand orchestrates on Snare and Toms.   Commentary: Bembé is

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13
Demo of the different Hihat – 5043 – E

virtualdrummerschool

12 November, 2017

334

Horacio carries out a “DEMO” with all the combinations for Hihat of the previous exercises. While your right hand plays the Eighth Notes and your left hand plays the Clave. These exercises will help you to control the hihat and the necessary indepe

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50
Play Back (Rod Morgenstein) Displacement – 1716 – E

virtualdrummerschool

12 November, 2017

606

Here you’ve got some musical backgrounds based on patterns of the great drummer Rod Morgenstein. As you may well have noticed, this pattern was conceived for the use of a double bass drum.   Commentary:  

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