Danzón-Paseo (B) – 5100 – E
Here you have another important and complementary part to play the Danzón. This is called “Paseo” and it is played in the Toms; it is practically a call to restart the Danzón. Commentary: This Danzón has a very important part happening on
Quarters and Eight notes”A, B” – 2013 – E
Flams “Tap” How to work with flams. A) With quarters RLRL B) With Eight notes RR LL Commentary: So, what is a flam? Why have a flam? The flam sounds just like you hear it. It is a ** note before a main note. The purpose of the flam is to thi
Eight triplets – 2014 – E
Flams. Bill’s explanation. With cymbal, snare and toms C) With triplets and an accent on the first note RLR LRL Commentary: The flam triplet is also a very commonly rudiment used in rock and jazz, and sounds like this. One measure of triplets with
Comment – 2022 – E
Exercises for hi hat, snare and bass drum. Bill’s explanations for “the forgotten foot”: the left food and the hi hat. Commentary: I’d like to draw your attention to the hi-hat, which is a very important little instrument. For me
Landó – 4045 – E
Rhythms of South America for Cajon, from Peru, “Lando” pattern. 1st Part – Left and Right Hand play the pattern in the Cajon. Pattern in 12/8 with “Flams” 2nd Part – Variations on the same one Commentary: Lando a rhyt
Festejo – 4046 – E
Rhythms of South America for Cajon, from Peru, “Festejo” pattern. 1st Part – Left and Right Hand play the pattern in the Cajon.. Pattern in 12/8. 2nd Part – Variations on the same one Commentary: Festejo, a rhythm from Perú. The
