Bass Drum play the 16th Sixteenth Note of the bar – 5063 – E
In these exercises while your right hand plays the Cáscara in Wood Block, your other hand plays quarter notes in snare, your right foot plays the Clave with the Foot Cowbell and the BassDrum plays the 16th Sixteenth note of the bar. Commentary: And the
Rhythm Language with 2 hands – 1 Stroke R-L – 5071 – E
In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the
Rhythm Language with 2 hands – 1 Stroke L-R – 5072 – E
In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the
Rhythm Language with 2 hands – 2 Strokes RR-LL – 5073 – E
In these exercises we will apply the “Stick Control” combinations method . While our left foot plays the Clave in the foot cowbell our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the Snare with the
Hihat plays all the 2nd Eighth Notes – 5041 – E
These exercises will help you to control the hihat and will give you the necessary independence to be able to introduce this third element in your DrumKit. While your right hand plays the Eighth Notes and your left hand plays the Clave, we work the Hihat with
1st, 2nd and 3rd note of the 2nd beat – 5031 – E
Working with a ternary concept (Triplets). Your left hand plays the Clave in the Wood Block, the right hand will play the Triplets, to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). This video consists
1st, 2nd and 3rd note of the 3rd beat – 5032 – E
Working with a ternary concept (Triplets). Your left hand plays the Clave in the Wood Block, the right hand will play the Triplets, to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). This video consists
1st, 2nd and 3rd note of the 4th beat – 5033 – E
Working with a ternary concept (Triplets). Your left hand plays the Clave in the Wood Block, the right hand will play the Triplets, to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). This video consists
1st, 2nd and 3rd note of the 1st beat – 5030 – E
Working with a ternary concept (Triplets). Your left hand plays the Clave in the Wood Block, the right hand will play the Triplets, to reach the independence of your hands (it is important that you sing the subdivisions like Horacio does). This video consists
African Clave (Triplets) – 5007 – E
How to apply the Clave in 6/8 with an internal subdivision of Triplets? Horacio explains it in a very simple way. Commentary: Afrocuban Music is the result of the mixture of the different percussion instruments as, frequently and as a result of the afri
