Horacio shows you how to play the “Mozambique” pattern. Right hand plays “Cáscara” in Cowbell, Left foot plays Clave in Foot Cowbell, Bass Drum with “Tumbao” and Left Hand orchestrates in the Drum Kit.   Commentary: Mo

This is a demonstration of how Horacio applies all his technique in the Bembé pattern. There he combines his Right Hand playing Cáscara in Cowbell, his Left Foot plays dotted Quarter Notes combining Hihat with Foot Cowbell and he also introduces Double Bassd

–   Commentary: –  

–   Commentary: –  

In these exercises, while our Right Hand plays the “Cáscara” and our left foot plays the “Clave” in the foot cowbell we will apply the “Stick Control” combinations method playing with the Left Hand in the Snare (I) and the

Exercises of Rhythm Displacement. In this case while our left foot plays the Clave in the foot pedal (foot cowbell) our Bass Drum will play the “Tumbao” of Guaguancó. Our hands play Sixteenth notes in the snare with the following combination: RL-R

In these exercises, while our Right Hand plays the “Cáscara” and our left foot plays the “Clave” in the foot cowbell we will apply the “Stick Control” combinations method playing with the Left Hand in the Snare (I) and the

In these exercises, while our Right Hand plays the “Cáscara” and our left foot plays the “Clave” in the foot cowbell we will apply the “Stick Control” combinations method playing with the Left Hand in the Snare (I) and the

In these exercises, while our Right Hand plays the “Cáscara” and our left foot plays the “Clave” in the foot cowbell we will apply the “Stick Control” combinations method playing with the Left Hand in the Snare (I) and the

In these exercises, while our Right Hand plays the “Cáscara” and our left foot plays the “Clave” in the foot cowbell we will apply the “Stick Control” combinations method playing with the Left Hand in the Snare (I) and the